This study of the Piscatorbühne season of 1927-8 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices.
This study of the Piscatorbühne season of 1927-8 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices.
Drew Lichtenberg is a writer, teacher, and dramaturg who lives in Washington, DC. His work has appeared in theaters and publications on both sides of the Atlantic. He received his MFA and DFA in Dramaturgy and Dramatic Criticism from Yale School of Drama.
Inhaltsangabe
Introduction 1. The Founding and Principles of the Piscatorbühne 2. Piscator in Context 3. Piscatorbühne 1927-1928 4. Brecht and Piscator: Dialectical Affinities 5. The Piscator Lines of the Modern Theater
Introduction 1. The Founding and Principles of the Piscatorbühne 2. Piscator in Context 3. Piscatorbühne 1927-1928 4. Brecht and Piscator: Dialectical Affinities 5. The Piscator Lines of the Modern Theater
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