Intention and Meaning in Modernist Music The End of the Mannerist Century A Fine Analysis In Memory of a Receding Dialectic: The Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics Twentieth-Century Tonality, or, Breaking Up Is Hard to Do "Tone-Color, Movement, Changing Harmonic Planes": Cognition, Constraints and Conceptual Blends in Modernist Music Sexual and Musical Categories Listening to Schizophrenia: The Wozzeck Case The Musician Writes: The Deaf Man Looks On? "Are You Sure You Can't Hear It?": Some Informal Reflections on Simple Information and Listening A Fine Madness "One Man's Signal is Another Man's Noise": Personal Encounters with Post-Tonal Music The "Modernization" of Rock & Roll, 1965-75 Refiguring the Modernist Program for Hearing: Steve Reich and George Rochberg Modernism Goes to the Movies
Intention and Meaning in Modernist Music The End of the Mannerist Century A Fine Analysis In Memory of a Receding Dialectic: The Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics Twentieth-Century Tonality, or, Breaking Up Is Hard to Do "Tone-Color, Movement, Changing Harmonic Planes": Cognition, Constraints and Conceptual Blends in Modernist Music Sexual and Musical Categories Listening to Schizophrenia: The Wozzeck Case The Musician Writes: The Deaf Man Looks On? "Are You Sure You Can't Hear It?": Some Informal Reflections on Simple Information and Listening A Fine Madness "One Man's Signal is Another Man's Noise": Personal Encounters with Post-Tonal Music The "Modernization" of Rock & Roll, 1965-75 Refiguring the Modernist Program for Hearing: Steve Reich and George Rochberg Modernism Goes to the Movies
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