Alice Jenkins (ed.)

The Poems of Gerard Manley Hopkins

A Routledge Study Guide and Sourcebook
Ed. by Alice Jenkins

• Broschiertes Buch

Produktbeschreibung

Taking the form of a sourcebook, this guide to Hopkins' poetry presents:

extensive introductory comments on the contexts, critical history and interpretations of his work, from composition to the presentannotated extracts from key contextual documents, reviews and critical worksunabridged texts of twenty-nine of Hopkins' most important poems, with detailed annotationscross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticismsuggestions for futher reading.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins's work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Routledge Guides to Literature
• Verlag: Taylor & Francis
• Artikelnr. des Verlages: RU42116
• Seitenzahl: 192
• Erscheinungstermin: 1. Februar 2006
• Englisch
• Abmessung: 216mm x 140mm x 11mm
• Gewicht: 250g
• ISBN-13: 9780415255240
• ISBN-10: 0415255244
• Artikelnr.: 20775167

Autorenporträt

Alice Jenkins is lecturer in the department of English at the University of Glasgow

Inhaltsangabe

Introduction 1: Contexts; Contextual Overview; Chronology; Contemporary Documents; From John Henry Newman, Loss and Gain: The Story of a Convert (1848); From J. Cumming, 'Ritualism - What is it?' (1867); Gerard Manley Hopkins on the language of verse (1864); From Gerard Manley Hopkins, 'Poetic Diction' (1865[?]); Gerard Manley Hopkins on his conversion (1866); From Ignatius Loyola, The Spiritual Exercises of St Ignatius (sixteenth century); From Gerard Manley Hopkins, 'Comments on the Spiritual Exercises of St. Ignatius Loyola' (1880); From Gerard Manley Hopkins, sermon for 23 November 1879; From Gerard Manley Hopkins, 'Author's Preface' (c. 1883); From The Times, report of the wreck of the Deutschland (1875); 2: Interpretations: Critical History; Organization of the Critical Excerpts in this Sourcebook; Early Critical Reception; From Richard Watson Dixon, letters of 5 April 1879 and 1 March 1880; From Coventry Patmore, letter of 20 March 1884; From Robert Bridges, 'Editor's Preface to Notes' (1918); From Robert Bridges, 'Our generation already is overpast' (1918); From I. A. Richards, 'Gerard Hopkins' (1926); From Laura Riding and Robert Graves, A Survey of Modernist Poetry (1927); From William Empson, Seven Types of Ambiguity (1930); From C. Day Lewis, A Hope for Poetry (1934); From W. B. Yeats, 'Introduction', The Oxford Book of Modern Verse (1936) ; From Charles Williams, 'Introduction to the Second Edition', Poems of Gerard Manley Hopkins (1930); From F. R. Leavis, New Bearings in English Poetry: A Study of the Contemporary Situation (1932); Modern Criticism; Victorianism:; From Donald Davie, Purity of Diction in English Verse (1967); From Alison G. Sulloway, Gerard Manley Hopkins and the Victorian Temper (1972); Gender:; From Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic (1979); From Alison G. Sulloway, 'Gerard Manley Hopkins and "Women and Men" as Partners in the Mystery of Redemption' (1989); From Margaret Johnson, Gerard Manley Hopkins and Tractarian Poetry (1997); From Julia F. Saville, A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (2000) 69; Language: ; From James Milroy, The Language of Gerard Manley Hopkins (1977); From James Milroy, 'Hopkins the Purist (?): Some Comments on the Sources and Applications of Hopkins's Principles of Poetic Diction' (1984); From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993); Inscape and Instress:; From J. Hillis Miller, The Disappearance of God (1963); 'The Wreck of the Deutschland'; From Helen Vendler, 'The Wreck of the Deutschland' (1992); From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993); From Thaïs E. Morgan, 'Violence, Creativity, and the Feminine: Poetics and Gender Politics in Swinburne and Hopkins' (1992); 'God's Grandeur'; From Alison G. Sulloway, 'Gerard Manley Hopkins and "Women and Men" as Partners in the Mystery of Redemption' (1989); From James Olney, The Language(s) of Poetry: Walt Whitman, Emily Dickinson, Gerard Manley Hopkins (1993); From Eric Griffiths, The Printed Voice of Victorian Poetry (1989); 'Pied Beauty'; From J. Hillis Miller, The Disappearance of God (1963); From Michael Lynch, 'Recovering Hopkins, Recovering Ourselves' (1979); From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993); The 'Terrible Sonnets'; From W. H. Gardner, Gerard Manley Hopkins: A Study of Poetic Idiosyncrasy in Relation to Poetic Tradition (1948); From Yvor Winters, The Function of Criticism: Problems and Exercises (1962); From Eric Griffiths, The Printed Voice of Victorian Poetry (1989); From J. Hillis Miller, The Disappearance of God (1963); 3: Key Poems 4: Further Reading.

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Introduction 1: Contexts
Contextual Overview
Chronology
Contemporary Documents
From John Henry Newman, Loss and Gain: The Story of a Convert (1848)
From J. Cumming, 'Ritualism - What is it?' (1867)
Gerard Manley Hopkins on the language of verse (1864)
From Gerard Manley Hopkins, 'Poetic Diction' (1865[?])
Gerard Manley Hopkins on his conversion (1866)
From Ignatius Loyola, The Spiritual Exercises of St Ignatius (sixteenth century)
From Gerard Manley Hopkins, 'Comments on the Spiritual Exercises of St. Ignatius Loyola' (1880)
From Gerard Manley Hopkins, sermon for 23 November 1879
From Gerard Manley Hopkins, 'Author's Preface' (c. 1883)
From The Times, report of the wreck of the Deutschland (1875)
2: Interpretations: Critical History
Organization of the Critical Excerpts in this Sourcebook
Early Critical Reception
From Richard Watson Dixon, letters of 5 April 1879 and 1 March 1880
From Coventry Patmore, letter of 20 March 1884
From Robert Bridges, 'Editor's Preface to Notes' (1918)
From Robert Bridges, 'Our generation already is overpast' (1918)
From I. A. Richards, 'Gerard Hopkins' (1926)
From Laura Riding and Robert Graves, A Survey of Modernist Poetry (1927)
From William Empson, Seven Types of Ambiguity (1930)
From C. Day Lewis, A Hope for Poetry (1934)
From W. B. Yeats, 'Introduction', The Oxford Book of Modern Verse (1936)
From Charles Williams, 'Introduction to the Second Edition', Poems of Gerard Manley Hopkins (1930)
From F. R. Leavis, New Bearings in English Poetry: A Study of the Contemporary Situation (1932)
Modern Criticism
Victorianism:
From Donald Davie, Purity of Diction in English Verse (1967)
From Alison G. Sulloway, Gerard Manley Hopkins and the Victorian Temper (1972)
Gender:
From Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic (1979)
From Alison G. Sulloway, 'Gerard Manley Hopkins and "Women and Men" as Partners in the Mystery of Redemption' (1989)
From Margaret Johnson, Gerard Manley Hopkins and Tractarian Poetry (1997)
From Julia F. Saville, A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (2000) 69
Language:
From James Milroy, The Language of Gerard Manley Hopkins (1977)
From James Milroy, 'Hopkins the Purist (?): Some Comments on the Sources and Applications of Hopkins's Principles of Poetic Diction' (1984)
From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993)
Inscape and Instress:
From J. Hillis Miller, The Disappearance of God (1963)
'The Wreck of the Deutschland'
From Helen Vendler, 'The Wreck of the Deutschland' (1992)
From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993)
From Thaïs E. Morgan, 'Violence, Creativity, and the Feminine: Poetics and Gender Politics in Swinburne and Hopkins' (1992)
'God's Grandeur'
From Alison G. Sulloway, 'Gerard Manley Hopkins and "Women and Men" as Partners in the Mystery of Redemption' (1989)
From James Olney, The Language(s) of Poetry: Walt Whitman, Emily Dickinson, Gerard Manley Hopkins (1993)
From Eric Griffiths, The Printed Voice of Victorian Poetry (1989)
'Pied Beauty'
From J. Hillis Miller, The Disappearance of God (1963)
From Michael Lynch, 'Recovering Hopkins, Recovering Ourselves' (1979)
From Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (1993)
The 'Terrible Sonnets'
From W. H. Gardner, Gerard Manley Hopkins: A Study of Poetic Idiosyncrasy in Relation to Poetic Tradition (1948)
From Yvor Winters, The Function of Criticism: Problems and Exercises (1962)
From Eric Griffiths, The Printed Voice of Victorian Poetry (1989)
From J. Hillis Miller, The Disappearance of God (1963)
3: Key Poems 4: Further Reading.