The Poetics of Inconstancy - Rogers, Hoyt
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The transformation of Late Petrarchism from earlier stages reflects a profound shift in cultural values--a 'crisis of the Renaissance' that generated new perspectives in poetic theory and practice. Broadly, this book identifies a distinctive 'poetics of inconstancy' that came to the fore at the end of the sixteenth century and pervaded the love verse of the age. At the same time, as a study based on the inductive method, the book takes as its point of departure a single poet: Etienne Durand. Because of his frequently anthologized 'Stances a l'Inconstance,' Durand is often singled out as 'the…mehr

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Produktbeschreibung
The transformation of Late Petrarchism from earlier stages reflects a profound shift in cultural values--a 'crisis of the Renaissance' that generated new perspectives in poetic theory and practice. Broadly, this book identifies a distinctive 'poetics of inconstancy' that came to the fore at the end of the sixteenth century and pervaded the love verse of the age. At the same time, as a study based on the inductive method, the book takes as its point of departure a single poet: Etienne Durand. Because of his frequently anthologized 'Stances a l'Inconstance,' Durand is often singled out as 'the poet of inconstancy.' This study, however, identifies the theme of universal change as a hallmark of Durand's contemporaries as well--a signal of a stylistic revolution that heralded the end of Renaissance verse.
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Autorenporträt
Hoyt Rogers has published his fiction and poetry in a wide range of periodicals, including The New England Review, AGNI, and The Fortnightly Review. As a prize-winning translator, editor, and essayist, he has worked with Viking, Knopf, Farrar Straus, Yale, Seagull, and various presses large and small. He has collaborated with Paul Auster, Yves Bonnefoy, Lincoln Kirstein, Philippe Claudel, and many others. He is the author of a poetry collection, Thresholds, as well as a study of the Late Renaissance. Please visit hoytrogers.com.