The Poetics of Melancholy in Early Modern England explores the growing cultural signification of sadness in Renaissance England, and considers what the wide-ranging writings of self-described melancholics tell us about the era in which they lived.
The Poetics of Melancholy in Early Modern England explores the growing cultural signification of sadness in Renaissance England, and considers what the wide-ranging writings of self-described melancholics tell us about the era in which they lived.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Cambridge Studies in Renaissance Literature and Culture
Douglas Trevor is Assistant Professor of English at the University of Iowa. He is co-editor of Historicism, Psychoanalysis, and Early Modern Culture (2000), and has published articles on Michel de Montaigne, Thomas More, Edmund Spenser, John Donne, George Herbert, and other early modern writers. He is also a contributing editor to The Complete Pelican Shakespeare (2002), and serves on the Editorial Board of the Shakespeare Yearbook.
Inhaltsangabe
1. The reinvention of sadness 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender 3. Hamlet and the humors of skepticism 4. John Donne and scholarly melancholy 5. Robert Burton's melancholic England 6. Solitary Milton Epilogue: after Galenism: angelic corporeality in Paradise Lost.
1. The reinvention of sadness 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender 3. Hamlet and the humors of skepticism 4. John Donne and scholarly melancholy 5. Robert Burton's melancholic England 6. Solitary Milton Epilogue: after Galenism: angelic corporeality in Paradise Lost.
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