Explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Douglas Trevor is Assistant Professor of English at the University of Iowa. He is co-editor of Historicism, Psychoanalysis, and Early Modern Culture (2000), and has published articles on Michel de Montaigne, Thomas More, Edmund Spenser, John Donne, George Herbert, and other early modern writers. He is also a contributing editor to The Complete Pelican Shakespeare (2002), and serves on the Editorial Board of the Shakespeare Yearbook.
Inhaltsangabe
1. The reinvention of sadness 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender 3. Hamlet and the humors of skepticism 4. John Donne and scholarly melancholy 5. Robert Burton's melancholic England 6. Solitary Milton Epilogue: after Galenism: angelic corporeality in Paradise Lost.
1. The reinvention of sadness 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender 3. Hamlet and the humors of skepticism 4. John Donne and scholarly melancholy 5. Robert Burton's melancholic England 6. Solitary Milton Epilogue: after Galenism: angelic corporeality in Paradise Lost.
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