In times of political or social uncertainties the poet usually takes on the mantle of prophet, priest, or seer. He becomes not just the custodian of justice, but also the symbolic voice of the unified society. It is these unique and peculiar roles that Wole Soyinka (Nigeria), Claude McKay (USA), and Jean Toomer (USA) used poetry as a medium to enunciate their anxieties, frustrations, doubts, hopes, and desires about the repressive systems in their respective countries.
In times of political or social uncertainties the poet usually takes on the mantle of prophet, priest, or seer. He becomes not just the custodian of justice, but also the symbolic voice of the unified society. It is these unique and peculiar roles that Wole Soyinka (Nigeria), Claude McKay (USA), and Jean Toomer (USA) used poetry as a medium to enunciate their anxieties, frustrations, doubts, hopes, and desires about the repressive systems in their respective countries.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Emmanuel E. Egar is an Associate Professor of English at the University of Arkansas at Pine Bluff. He earned a Ph.D. (English) from University of Texas at Arlington, and a Ph.D. (Higher Education) from the University of Texas at Denton. Professor Egar is also author of Black Women Poets of Harlem Renaissance and The Rhetorical Implications of Chinua Achebe's Things Fall Apart both from University Press of America.
Inhaltsangabe
Chapter 1 Preface Chapter 2 Introduction Chapter 3 An Appreciation of the Preface to "The Shuttle in the Crypt" Chapter 4 Wole Soyinka: Poetic Influences Chapter 5 The Wailing Wall: The Wall of Mists Chapter 6 Amber Wall: Purgatory Chapter 7 The Vault Center: The Procession Chapter 8 Jean Toomer: Carma, Georgia Dusk, Conversation Chapter 9 The Reapers: November Cotton, Harvest Song, Prayer, The Song of the Son Chapter 10 Literary Whispers on Jean Toomer Chapter 11 Claude McKay Chapter 12 Bibliography Chapter 13 About the Author
Chapter 1 Preface Chapter 2 Introduction Chapter 3 An Appreciation of the Preface to "The Shuttle in the Crypt" Chapter 4 Wole Soyinka: Poetic Influences Chapter 5 The Wailing Wall: The Wall of Mists Chapter 6 Amber Wall: Purgatory Chapter 7 The Vault Center: The Procession Chapter 8 Jean Toomer: Carma, Georgia Dusk, Conversation Chapter 9 The Reapers: November Cotton, Harvest Song, Prayer, The Song of the Son Chapter 10 Literary Whispers on Jean Toomer Chapter 11 Claude McKay Chapter 12 Bibliography Chapter 13 About the Author
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