50,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
  • Broschiertes Buch

This study examines the part played by lyricists in the Golden Age of American popular music (1920-1940), comparing their witty light verse with the comic prose of "Vanity Fair" and other American periodicals of the era. In addition to the famous, such as Oscar Hammerstein and Ira Gershwin, the author describes lesser-known lyricists working in New York's Tin Pan Alley, in Hollywood, and in other musical genres such as jazz.
In The Poets of Tin Pan Alley, Philip Furia presents a fascinating accout of the lives in words and music of some of America's greatest popular lyricists. Full chapters
…mehr

Produktbeschreibung
This study examines the part played by lyricists in the Golden Age of American popular music (1920-1940), comparing their witty light verse with the comic prose of "Vanity Fair" and other American periodicals of the era. In addition to the famous, such as Oscar Hammerstein and Ira Gershwin, the author describes lesser-known lyricists working in New York's Tin Pan Alley, in Hollywood, and in other musical genres such as jazz.
In The Poets of Tin Pan Alley, Philip Furia presents a fascinating accout of the lives in words and music of some of America's greatest popular lyricists. Full chapters are devoted to such golden names as Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstein II, Howard Dietz, E. Y. Harburg, Dorothy Fields, Leo Robbins and Johnny Mercer. Furia also discusses the important contributions made by other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. Each of the lyricists is placed firmly in historical context and Furia is careful to note the extent to which the lyrics of popular music both reflected and shaped the mores of the periods in which they were written.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Philip Furia is Professor of English and American Studies at the University of Minnesota. He is the author of Pound's "Cantos" Declassified and many articles on the relationship between American poetry and music.