An Italian soul-seeker in India encounters an antique racist toy-bank from 19th-Century America and believes it to be an incarnation of Krishna. A fertility-seeking single woman in New York's Chinatown becomes fixated on a Chinese boy and plots a kidnap. An American archaeologist suffers from under-medicated bipolar disease after the 1976 earthquake in Guatemala. A New Yorker interprets the small earthquake of 2011 as a sign of conspiracy, and her obsession masks feelings of grief surrounding the disappearance of her self-destructive twin sister. Following the existential mystery of Paul…mehr
An Italian soul-seeker in India encounters an antique racist toy-bank from 19th-Century America and believes it to be an incarnation of Krishna. A fertility-seeking single woman in New York's Chinatown becomes fixated on a Chinese boy and plots a kidnap. An American archaeologist suffers from under-medicated bipolar disease after the 1976 earthquake in Guatemala. A New Yorker interprets the small earthquake of 2011 as a sign of conspiracy, and her obsession masks feelings of grief surrounding the disappearance of her self-destructive twin sister. Following the existential mystery of Paul Auster, Paul Bowles' critique of the tourist, and Flannery O'Connor's redemptive grotesques, Kadetsky adds a sharp and nuanced voice to the short story, calling upon her extensive travels abroad and study of languages for a portrayal of innocents often caught in the tangles of global alliance and discord.
Elizabeth Kadetsky is the author of the short story collection THE POISON THAT PURIFIES YOU (C&R Press, 2014), the memoir First There Is a Mountain (Little Brown), and the novella On the Island at the Center of the Center of the World (Nouvella Books). Her short stories have been chosen for a Pushcart Prize, Best New American Voices, and two Best American Short Stories notable citations, and her personal essays have appeared in The New York Times, Guernica, Santa Monica Review, Antioch Review, Post Road, Agni , and elsewhere. She has traveled to Guatemala as a journalist covering the underground adoption trade for the Village Voice, to Southern Mexico covering the war in Chiapas for The Nation, to Malta as a creative writing fellow at the St. James Cavalier Centre for Creativity, to France as a fellow in the arts at Camargo Foundation, and to India as Fulbright fellow. She is an assistant professor of fiction and nonfiction at Penn State University.
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