Kingsolver's national bestseller paints an intimate portrait of a crisis-ridden family amid the larger backdrop of an African nation in chaos. Examine how the tragedy of the Price family mirrors the political unrest in the Congo, how the novel views religion and marriage, and how Kingsolver reconciles the demands of art with her belief that writing should support a political cause.
Erzählt wird die Geschichte einer amerikanischen Familie im belgischen Kongo. Es ist eine Zeit außergewöhnlicher politischer und sozialer Umwälzungen. Aus der Sicht der Ehefrau und der vier Töchter des Nathan Price, einem strenggläubigen Baptisten, der mit seiner Familie 1959 in den Kongo geht, um eine Mission zu gründen, werden die Geschehnisse offen und einfühlsam beschrieben. Es ist nicht nur die Geschichte eines tragischen Scheiterns, sondern auch die eines Wiederfindens einer Familie im postkolonialen Afrika über dreißg Jahre hinweg.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Erzählt wird die Geschichte einer amerikanischen Familie im belgischen Kongo. Es ist eine Zeit außergewöhnlicher politischer und sozialer Umwälzungen. Aus der Sicht der Ehefrau und der vier Töchter des Nathan Price, einem strenggläubigen Baptisten, der mit seiner Familie 1959 in den Kongo geht, um eine Mission zu gründen, werden die Geschehnisse offen und einfühlsam beschrieben. Es ist nicht nur die Geschichte eines tragischen Scheiterns, sondern auch die eines Wiederfindens einer Familie im postkolonialen Afrika über dreißg Jahre hinweg.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
"There are few ambitious, successful and beautiful novels. Lucky for us, we have one now, in Barbara Kingsolver's The Poisonwood Bible . . . this awed reviewer hardly knows where to begin." - Jane Smiley, Washington Post Book World
"Fully realized, richly embroidered, triumphant." - Newsweek
"Kingsolver's powerful new book is actually an old-fashioned 19th-century novel, a Hawthornian tale of sin and redemption and the 'dark necessity' of history." - Michiko Kakutani, New York Times
"A powerful new epic . . . She has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty." - Los Angeles Times Book Review
"Powerful . . . Kingsolver is a gifted magician of words." - Time
"Beautifully written . . . Kingsolver's tale of domestic tragedy is more than just a well-told yarn . . . Played out against the bloody backdrop of political struggles in Congo that continue to this day, it is also particularly timely." - People
"Tragic, and remarkable. . . . A novel that blends outlandish experience with Old Testament rhythms of prophecy and doom." - USA Today
"The book's sheer enjoyability is given depth by Kingsolver's insight and compassion for Congo, including its people, and their language and sayings." - Boston Globe
"Compelling, lyrical and utterly believable." - Chicago Tribune
"Fully realized, richly embroidered, triumphant." - Newsweek
"Kingsolver's powerful new book is actually an old-fashioned 19th-century novel, a Hawthornian tale of sin and redemption and the 'dark necessity' of history." - Michiko Kakutani, New York Times
"A powerful new epic . . . She has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty." - Los Angeles Times Book Review
"Powerful . . . Kingsolver is a gifted magician of words." - Time
"Beautifully written . . . Kingsolver's tale of domestic tragedy is more than just a well-told yarn . . . Played out against the bloody backdrop of political struggles in Congo that continue to this day, it is also particularly timely." - People
"Tragic, and remarkable. . . . A novel that blends outlandish experience with Old Testament rhythms of prophecy and doom." - USA Today
"The book's sheer enjoyability is given depth by Kingsolver's insight and compassion for Congo, including its people, and their language and sayings." - Boston Globe
"Compelling, lyrical and utterly believable." - Chicago Tribune