The Political Mel Brooks analyzes the work of Mel Brooks as political and social commentary. It demonstrates that Brooks is a serious, political filmmaker whose comedies go beyond goofy parody, attending to serious socio-political issues through a humorous lens.
The Political Mel Brooks analyzes the work of Mel Brooks as political and social commentary. It demonstrates that Brooks is a serious, political filmmaker whose comedies go beyond goofy parody, attending to serious socio-political issues through a humorous lens.
Edited by Samuel Boerboom and Beth E. Bonnstetter - Contributions by Melissa Boehm; Samuel Boerboom; Beth E. Bonnstetter; Garret L. Castleberry; Lisa Marie Ellert; Kimberley Hannah-Prater; Micayla Joy Lander; Richard Loosbrock; James B. McCauley; William
Inhaltsangabe
Introduction: (Re)Discovering the Political Mel Brooks Chapter 1: The Popular (and Political) Mel Brooks: A Selective Review of Scholarship and Criticism Chapter 2: "Where the White Women At?" Demolishing the Myth of the West Chapter 3: "A Torch to Light the Way": The Visual Rhetoric of Blazing Saddles Chapter 4: The Very Rotten 1970s: Mel Brooks's Satire of Politics in the Age of Ford Chapter 5: Not Just a Dresser: To Be or Not to Be and the Case of Sasha Kinski Chapter 6: Spaceballs as Mel Brooks's Parodic Prophecy of Franchise Fascism Chapter 7: The Framing of Poverty in Mel Brooks's Life Stinks: A Content and Textual Analysis Chapter 8: What a Meshugenner! Mel Brooks's Politics of Jewish Humor Chapter 9: "When You Got It, Flaunt It": White Masculinity and Sexuality in The Producers (2005) Chapter 10: "We're Both Short Jews. That's Where It Ends.": The Problematics of Comparing Mel Brooks and Woody Allen
Introduction: (Re)Discovering the Political Mel Brooks Chapter 1: The Popular (and Political) Mel Brooks: A Selective Review of Scholarship and Criticism Chapter 2: "Where the White Women At?" Demolishing the Myth of the West Chapter 3: "A Torch to Light the Way": The Visual Rhetoric of Blazing Saddles Chapter 4: The Very Rotten 1970s: Mel Brooks's Satire of Politics in the Age of Ford Chapter 5: Not Just a Dresser: To Be or Not to Be and the Case of Sasha Kinski Chapter 6: Spaceballs as Mel Brooks's Parodic Prophecy of Franchise Fascism Chapter 7: The Framing of Poverty in Mel Brooks's Life Stinks: A Content and Textual Analysis Chapter 8: What a Meshugenner! Mel Brooks's Politics of Jewish Humor Chapter 9: "When You Got It, Flaunt It": White Masculinity and Sexuality in The Producers (2005) Chapter 10: "We're Both Short Jews. That's Where It Ends.": The Problematics of Comparing Mel Brooks and Woody Allen
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