This book discusses the work of four different kinds of artists from four different countries (Belgium, China, the UK and India) to examine how they create a space for politics in their work.
This book discusses the work of four different kinds of artists from four different countries (Belgium, China, the UK and India) to examine how they create a space for politics in their work.
Benoît Dillet joined the the Department of Politics, Languages and International Studies at the University of Bath in 2017. Prior to this appointment, he was a Marie Curie Research Fellow at the Freiburg Institute for Advanced Studies (FRIAS) in Freiburg, Germany. He was also a Lecturer in Politics at the Loughborough University in 2015.
Inhaltsangabe
Introduction 1. Aesthetics, Poetics and Techno-Aesthetics 2. Left-over Spaces: The Cinema of the Dardenne Brothers 3.The Language of Politics in Arundhati Roy 4. Ai Weiwei's Useless Materials 5. Burial's Muffled Soundscape of London Conclusion
Introduction 1. Aesthetics, Poetics and Techno-Aesthetics 2. Left-over Spaces: The Cinema of the Dardenne Brothers 3.The Language of Politics in Arundhati Roy 4. Ai Weiwei's Useless Materials 5. Burial's Muffled Soundscape of London Conclusion
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