Bringing out the transformation of the mainstream Hindi film after it became 'Bollywood', this book charts a new direction in scholarship on Indian cinema.
Bringing out the transformation of the mainstream Hindi film after it became 'Bollywood', this book charts a new direction in scholarship on Indian cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
M K Raghavendra is a film critic, researcher, and scholar.
Inhaltsangabe
* Preface * Introduction * 1: The Global and the Pre-Modern * Raaz (2002) * 1: The Adulterous Woman * Jism (2003) to Kabhi Alvida Na Kehna (2006) * 1: 'Undivided India' * Gadar: Ek Prem Katha (2001) and Veer-Zara (2004) * 1: The Youth Film as Dissent * Rang de Basanti (2006) and the Political Class * 1: The Agony Aunt and the Small Illegality * Munna Bhai MBBS (2003) and Lage Raho Munna Bhai (2006) * 1: Thieves like Us * Enterprise in Bunty Aur Babli (2005), Dhoom 2 (2006), and Guru (2007) * 1: The 'Hyperreal' and the Narrowing Nation * Om Shanti Om (2007) * 1: The Reservations of Middle-Class Concern * Page 3 (2005), Corporate (2006), Traffic Signal (2007), and Fashion (2008) * 1: Dystopia or Entrepreneurial Fantasy * Kaminey (2009) * 1: The Exemplary Citizen * Education, Taare Zamin Par (2007) and Three Idiots (2009) * 1: Politics and Enterprise * Raajneeti (2010) * 1: The Anthropological Gaze * Agrarian Issues and Peepli (Live) (2010) * 1: Resisting the Anglophone Nation * Rab Ne Bana Di Jodi (2008) and Dabangg (2010) * 1: Transactions * Friendships in Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011) * 1: Sport and the Nation * Iqbal (2005), Chak De India (2007) and Paan Singh Tomar (2012) * Conclusion: Collapsing State, Dissolving Nation * Index * About the Author
* Preface * Introduction * 1: The Global and the Pre-Modern * Raaz (2002) * 1: The Adulterous Woman * Jism (2003) to Kabhi Alvida Na Kehna (2006) * 1: 'Undivided India' * Gadar: Ek Prem Katha (2001) and Veer-Zara (2004) * 1: The Youth Film as Dissent * Rang de Basanti (2006) and the Political Class * 1: The Agony Aunt and the Small Illegality * Munna Bhai MBBS (2003) and Lage Raho Munna Bhai (2006) * 1: Thieves like Us * Enterprise in Bunty Aur Babli (2005), Dhoom 2 (2006), and Guru (2007) * 1: The 'Hyperreal' and the Narrowing Nation * Om Shanti Om (2007) * 1: The Reservations of Middle-Class Concern * Page 3 (2005), Corporate (2006), Traffic Signal (2007), and Fashion (2008) * 1: Dystopia or Entrepreneurial Fantasy * Kaminey (2009) * 1: The Exemplary Citizen * Education, Taare Zamin Par (2007) and Three Idiots (2009) * 1: Politics and Enterprise * Raajneeti (2010) * 1: The Anthropological Gaze * Agrarian Issues and Peepli (Live) (2010) * 1: Resisting the Anglophone Nation * Rab Ne Bana Di Jodi (2008) and Dabangg (2010) * 1: Transactions * Friendships in Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011) * 1: Sport and the Nation * Iqbal (2005), Chak De India (2007) and Paan Singh Tomar (2012) * Conclusion: Collapsing State, Dissolving Nation * Index * About the Author
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