This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland¿s unique socio-political landscape. Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these authors in the years leading up to Ireland¿s revolution.
This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland¿s unique socio-political landscape. Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these authors in the years leading up to Ireland¿s revolution.
George Cusack is an instructor in the Expository Writing Program at the University of Oklahoma. He is the editor, with Sarah Goss, of Hungry Words: Images of Famine in the Irish Canon.
Inhaltsangabe
Acknowledgments Introduction Chapter One: Kathleen ni Houlihan and the Perception of Propaganda Chapter Two: Yeats: The Inner Life on the National Stage Chapter Three: Gregory: Nationality as Narrative Chapter Four: Synge: The Liberation of Language Chapter Five: The Playboy of the Western World and the End of Artistic Nationalism Notes Bibliography Index
Acknowledgments Introduction Chapter One: Kathleen ni Houlihan and the Perception of Propaganda Chapter Two: Yeats: The Inner Life on the National Stage Chapter Three: Gregory: Nationality as Narrative Chapter Four: Synge: The Liberation of Language Chapter Five: The Playboy of the Western World and the End of Artistic Nationalism Notes Bibliography Index
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