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Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.

Produktbeschreibung
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
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Autorenporträt
Thomas McGeary has written extensively about the reception of Italian opera in eighteenth-century Britain and his editions and translations of Arnold Schoenberg and Harry Partch received ASCAP-Deems Taylor awards. His research has been supported by fellowships from institutions including the Newberry Library/British Academy, the Paul Mellon Centre for British Art and the American Handel Society, and his articles on art, music and literature in eighteenth-century Britain have appeared in, among others, Music and Letters, the Journal of the Royal Musical Association, the Journal of Eighteenth-Century Studies, Early Music, Burlington Magazine and Philological Quarterly.