Marcus Boon explores music as a material practice of vibration that emerges from a politics of vibration and which constructs a vibrational space of individual and collective transformation.
Marcus Boon explores music as a material practice of vibration that emerges from a politics of vibration and which constructs a vibrational space of individual and collective transformation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marcus Boon is Professor of English at York University, author of In Praise of Copying and The Road of Excess: A History of Writers on Drugs, and coauthor of Nothing: Three Inquiries in Buddhism.
Inhaltsangabe
Introduction. Music as a Cosmopolitical Practice 1 1. Lord’s House, Nobody’s House: Pandit Pran Nath and Music as Sadhana 29 2. The Drone of the Real: The Sound-Works of Catherine Christer Hennix 75 3. Music and the Continuum 125 4. Slowed and Throwed: DJ Screw and the Decolonization of Time 179 Coda. July 2, 2020 227 Acknowledgments 231 Notes 235 Bibliography 255 Index 269
Introduction. Music as a Cosmopolitical Practice 1 1. Lord’s House, Nobody’s House: Pandit Pran Nath and Music as Sadhana 29 2. The Drone of the Real: The Sound-Works of Catherine Christer Hennix 75 3. Music and the Continuum 125 4. Slowed and Throwed: DJ Screw and the Decolonization of Time 179 Coda. July 2, 2020 227 Acknowledgments 231 Notes 235 Bibliography 255 Index 269
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