This book shows that Cervantes deliberately employed polyphonic structure in Don Quixote, a mode with more sophisticated expressive possibilities that monophonic narration could not offer. It suggests that Don Quixote can be treated as a semi-polyphonic hybrid novel that successfully amalgamates two narrative modes, monophonic and polyphonic.
This book shows that Cervantes deliberately employed polyphonic structure in Don Quixote, a mode with more sophisticated expressive possibilities that monophonic narration could not offer. It suggests that Don Quixote can be treated as a semi-polyphonic hybrid novel that successfully amalgamates two narrative modes, monophonic and polyphonic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Table of contents Acknowledgments Introduction Part I: The World of Cervantes Chapter I: "I hear voices in everything and dialogic relation among them." (M. Bakhtin) Chapter II: "We do not read words, we read ideas." (M. Bakhtin) Chapter III: "I am against enclosure in a text." (Bakhtin) Chapter IV: "Feci quod potui, faciant meliora potentes. I have done what I could; those who can will do better." Chapter V: "Writers themselves do not create polyphonic novels." (Bakhtin) Chapter VI: "Consensus omnium. By the agreement of all." Chapter VII: "Quantum satis. The amount that is needed." Chapter VIII: "Carthago delenda est. Carthage must be destroyed." Chapter IX: "Life enters language through concrete utterances." (Bakhtin) Part II: The World of Dostoevsky Chapter X: "Nothing is absolutely dead: every meaning will have its festival." (Bakhtin) Bibliography About the author Index
Table of contents Acknowledgments Introduction Part I: The World of Cervantes Chapter I: "I hear voices in everything and dialogic relation among them." (M. Bakhtin) Chapter II: "We do not read words, we read ideas." (M. Bakhtin) Chapter III: "I am against enclosure in a text." (Bakhtin) Chapter IV: "Feci quod potui, faciant meliora potentes. I have done what I could; those who can will do better." Chapter V: "Writers themselves do not create polyphonic novels." (Bakhtin) Chapter VI: "Consensus omnium. By the agreement of all." Chapter VII: "Quantum satis. The amount that is needed." Chapter VIII: "Carthago delenda est. Carthage must be destroyed." Chapter IX: "Life enters language through concrete utterances." (Bakhtin) Part II: The World of Dostoevsky Chapter X: "Nothing is absolutely dead: every meaning will have its festival." (Bakhtin) Bibliography About the author Index
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