Robert Owen Gardner

The Portable Community

Place and Displacement in Bluegrass Festival Life

• Broschiertes Buch

Produktbeschreibung

This book explores the various ways in which individuals use music and culture to understand and respond to changes in their natural and built environments. Drawing on over 15 years of ethnographic fieldwork, interviews, and participant observation, the author develops the thesis that the relationships, networks, and intimate forms of social interaction in the "portable" community cultivated at bluegrass festival events are significant cultural formations that shape participants' relationships to their localities. With specific attention to the ways in which the strength of these relationships are translated into meaningful sites of community identity, place, and action following devastating local floods that destroyed homes and businesses, displacing residents for years, The Portable Community: Place and Displacement in Bluegrass Festival Life sheds light on the strength of such communities when tested and under external threat. A study of the central role of arts and music in grappling with social and environmental change, including their role in facilitating disaster relief and recovery, this volume will appeal to scholars of sociology with interests in symbolic interactionism, the sociology of music, culture, and the sociology of disaster.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 232
• Erscheinungstermin: 30. September 2021
• Englisch
• Abmessung: 234mm x 156mm x 13mm
• Gewicht: 360g
• ISBN-13: 9781032174204
• ISBN-10: 103217420X
• Artikelnr.: 62571803

Autorenporträt

Robert Owen Gardner is Professor and Chair of the Department of Sociology and Anthropology at Linfield College, USA.

Inhaltsangabe

Acknowledgments. Introduction: The Quest for Community in Bluegrass
Festival Culture 1. "Bluegrass Breakdown": A Brief Social History of
Bluegrass Music and Festival Culture 2. "What Have They Done to The Old
Home Place?": Family, Home, and Kinship in the "New" American West. 3.
Welcome Home I: Building Place in the Bluegrass Festival Camp 4. Welcome
Home II: Performing Place in the Vernacular Village 5. The Portable
Community: Inclusion, Intimacy, and Simplicity in Bluegrass Festival Life
6. "The Festival World is So Much Better Than the Real World": Performing
Self and Identity in Festival Spaces 7. "We've Got Grit": Community
Resilience, Displacement, and Rebuilding After the Flood. Conclusion.
Appendix A: Research Methods. Appendix B: Festival Performance as Social
Drama: The Interactionism of Kenneth Burke. Index