Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski's 'Akropolis' and Tadeusz Kantor's 'Dead Class'. By examining each director's representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.…mehr
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski's 'Akropolis' and Tadeusz Kantor's 'Dead Class'. By examining each director's representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Magda Romanska, with a Foreword by Kathleen Cioffi
Inhaltsangabe
Foreword by Kathleen Cioffi Preface Acknowledgments List of Illustrations Introduction PART I: OUR AUSCHWITZ: GROTOWSKI'S "AKROPOLIS" Chapter 1: Jerzy Grotowski: A Very Short Introduction Chapter 2: Native Son: Grotowski in Poland Chapter 3: Grotowski: The Polish Context Chapter 4: Grotowski, the Messiah: Coming to America Chapter 5: The Making of an Aura Chapter 6: On Not Knowing Polish Chapter 7: "In Poland: That is to Say, Nowhere" Chapter 8: "Akropolis"/Necropolis Chapter 9: The Vision and the Symbol Chapter 10: "This Drama as Drama Cannot Be Staged" Chapter 11: Two National Sacrums Chapter 12: "Hollow Sneering Laughter": Mourning the Columbuses Chapter 13: Against Heroics Chapter 14: Representing the Unrepresentable Chapter 15: Trip to the Museum Chapter 16: Bearing the Unbearable Chapter 17: The Living and the Dead Chapter 18: Jacob's Burden Chapter 19: The Final Descent Chapter 20: Textual Transpositions Chapter 21: "Akropolis" After Grotowski ILLUSTRATIONS PART II: OUR MEMORY: KANTOR'S "DEAD CLASS" Chapter 22: Tadeusz Kantor: A Very Short Introduction Chapter 23: "Dead Class": The Making of the Legend Chapter 24: "Dead Class" in Poland Chapter 25: The Polish History Lesson Chapter 26: "Dead Class" Abroad Chapter 27: On Not Knowing Polish, Again Chapter 28: The Visual and the Puerile Chapter 29: The National and the Transnational Chapter 30: Witkiewicz's Tumor Chapter 31: An Age of Genius: Bruno Schulz and the Return to Childhood Chapter 32: Conversing with Gombrowicz: The Dead, the Funny, the Sacred and the Profane Chapter 33: Panirony: "A pain with a smile and a shrug" Chapter 34: Raising the Dead Chapter 35: "Dead Class" as Kaddish... Chapter 36: "Dead Class" as "Dybbuk," or the Absence Chapter 37: The Dead and the Marionettes Chapter 38: Men and Objects Chapter 39: "Dead Class" as "Forefathers' Eve" Chapter 40: "Dead Class": The Afterlife Postscript Appendix: Table 1. Chronology of Events Table 2. Comparison between Wyspiäski's "Akropolis" and "Genesis" Table 3. Comparison between Grotowski and Kantor Notes Bibliography Index
Foreword by Kathleen Cioffi Preface Acknowledgments List of Illustrations Introduction PART I: OUR AUSCHWITZ: GROTOWSKI'S "AKROPOLIS" Chapter 1: Jerzy Grotowski: A Very Short Introduction Chapter 2: Native Son: Grotowski in Poland Chapter 3: Grotowski: The Polish Context Chapter 4: Grotowski, the Messiah: Coming to America Chapter 5: The Making of an Aura Chapter 6: On Not Knowing Polish Chapter 7: "In Poland: That is to Say, Nowhere" Chapter 8: "Akropolis"/Necropolis Chapter 9: The Vision and the Symbol Chapter 10: "This Drama as Drama Cannot Be Staged" Chapter 11: Two National Sacrums Chapter 12: "Hollow Sneering Laughter": Mourning the Columbuses Chapter 13: Against Heroics Chapter 14: Representing the Unrepresentable Chapter 15: Trip to the Museum Chapter 16: Bearing the Unbearable Chapter 17: The Living and the Dead Chapter 18: Jacob's Burden Chapter 19: The Final Descent Chapter 20: Textual Transpositions Chapter 21: "Akropolis" After Grotowski ILLUSTRATIONS PART II: OUR MEMORY: KANTOR'S "DEAD CLASS" Chapter 22: Tadeusz Kantor: A Very Short Introduction Chapter 23: "Dead Class": The Making of the Legend Chapter 24: "Dead Class" in Poland Chapter 25: The Polish History Lesson Chapter 26: "Dead Class" Abroad Chapter 27: On Not Knowing Polish, Again Chapter 28: The Visual and the Puerile Chapter 29: The National and the Transnational Chapter 30: Witkiewicz's Tumor Chapter 31: An Age of Genius: Bruno Schulz and the Return to Childhood Chapter 32: Conversing with Gombrowicz: The Dead, the Funny, the Sacred and the Profane Chapter 33: Panirony: "A pain with a smile and a shrug" Chapter 34: Raising the Dead Chapter 35: "Dead Class" as Kaddish... Chapter 36: "Dead Class" as "Dybbuk," or the Absence Chapter 37: The Dead and the Marionettes Chapter 38: Men and Objects Chapter 39: "Dead Class" as "Forefathers' Eve" Chapter 40: "Dead Class": The Afterlife Postscript Appendix: Table 1. Chronology of Events Table 2. Comparison between Wyspiäski's "Akropolis" and "Genesis" Table 3. Comparison between Grotowski and Kantor Notes Bibliography Index
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