The Power of Touch
Handling Objects in Museum and Heritage Context
Herausgeber: Pye, Elizabeth
The Power of Touch
Handling Objects in Museum and Heritage Context
Herausgeber: Pye, Elizabeth
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Contributors to this volume explore how the sense of touch can be utilized in museums and other cultural institutions to facilitate understanding and learning.
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Contributors to this volume explore how the sense of touch can be utilized in museums and other cultural institutions to facilitate understanding and learning.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 262
- Erscheinungstermin: 1. Dezember 2007
- Englisch
- Abmessung: 227mm x 153mm x 12mm
- Gewicht: 345g
- ISBN-13: 9781598743043
- ISBN-10: 159874304X
- Artikelnr.: 23130470
- Verlag: Taylor & Francis
- Seitenzahl: 262
- Erscheinungstermin: 1. Dezember 2007
- Englisch
- Abmessung: 227mm x 153mm x 12mm
- Gewicht: 345g
- ISBN-13: 9781598743043
- ISBN-10: 159874304X
- Artikelnr.: 23130470
Edited by Pye, Elizabeth
chapter0 Introduction: The Power of Touch, Elizabeth Pye; Part 1 Science of
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
chapter0 Introduction: The Power of Touch, Elizabeth Pye; Part 1 Science of
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;
Touch; Chapter 1 Weighing Up the Value of Touch, Alan Wing, Christos
Giachritsis, Roberta Roberts; Chapter 2 Making Sense of Touch: A
Multisensory Approach to the Perception of Objects, Charles Spence; Part 2
History Of Touch; Chapter 3 Archaeology of Touch: Babylonian Magic and
Healing, Mark Geller; Chapter 4 For Your Eyes Only? the Magic Touch of
Relics, Jan Geisbusch; Chapter 5 Don't Touch! Hands off! art, Blindness and
the Conservation of Expertise, Fiona Candlin; Part 3 Professional Touch;
Chapter 6 Exploring the Role of Touch in Connoisseurship and the
Identification of Objects, Sally MacDonald; Chapter 7 Understanding
Objects: The Role of Touch in Conservation, Elizabeth Pye; Part 4 Touch and
Memory; Chapter 8 The Elderly as 'Curators' in North London, Michael
Rowlands; Chapter 9 Easing the Transition: Using Museum Objects with
Elderly People, Claire Jacques; Part 5 Touch and Memory; Chapter 10 The
Touch Experience in Museums in the UK and Japan, Julia Cassim; Chapter 11
Touching Art, Touching You: Blindart, Sense & Sensuality, Sharareh Khayami;
Chapter 12 Learning Through Touch, Tara Trewinnard-Boyle, Emily Tabassi;
Chapter 13 To Play or Not to Play: Making a Collection of Musical
Instruments Accessible, Andrew Lamb; Chapter 14 Collaborative Touch:
Working with a Community Artist to Restore a Kwakwaka'wakw Mask, Jessica
Johnson; Part 6 Virtual Touch; Chapter 15 Touching Ghosts: Haptic
Technologies in Museums, David Prytherch, Marie Jefsioutine; Chapter 16
Exploring Virtual Touch in the Creative Arts and Conservation, Angela
Geary;