This study is an analysis of the different parts of the manuscript as 'palimpsest, ' or layering of texts from the early manuscript drafts of the work to its printed edition, produced in successive stages to create a better version than the last. The analysis seeks to lay bare important aspects of the creative process of composition in the astounding cultural phenomenon that is the nineteenth-century realist novel, assessing in what ways any changes from earlier to later drafts may provide an understanding of the genius of creation in this particular literary form
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