Drawing on a wide range of fictional texts from Shakespeare and Austen to Game of Thrones and the lyrics of 'We Shall Overcome', this textbook shows how pragmatic analyses can uncover the performative elements that create and shape characters for an audience.
Drawing on a wide range of fictional texts from Shakespeare and Austen to Game of Thrones and the lyrics of 'We Shall Overcome', this textbook shows how pragmatic analyses can uncover the performative elements that create and shape characters for an audience.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Edinburgh Textbooks on the English Language - Advanced
Miriam A. Locher is Professor of English Linguistics at the University of Basel in Switzerland. Andreas H. Jucker is Professor of English Linguistics at the University of Zurich. His current research focuses on historical pragmatics, speech act theory, politeness theory and the grammar and history of English. He is editor of the Journal of Historical Pragmatics (with Irma Taavitsainen) and associate editor of the Pragmatics & Beyond New Series (Benjamins).
Inhaltsangabe
List of figures and tables To readers Acknowledgments Part I: The pragmatics of fiction as communication 1: Fiction and pragmatics 2: Fiction and non-fiction 3: Literature as communication Part II: The pragmatics of story worlds 4: Genres of fiction 5: The narrative core 6: Character creation Part III: Themes in the pragmatics of fiction 7: The performance of fiction 8: Relational work and (im/politeness) ideologies 9: The language of emotion 10: Poetic language 11: Fiction, pragmatics and future research Appendices Sources
List of figures and tables To readers Acknowledgments Part I: The pragmatics of fiction as communication 1: Fiction and pragmatics 2: Fiction and non-fiction 3: Literature as communication Part II: The pragmatics of story worlds 4: Genres of fiction 5: The narrative core 6: Character creation Part III: Themes in the pragmatics of fiction 7: The performance of fiction 8: Relational work and (im/politeness) ideologies 9: The language of emotion 10: Poetic language 11: Fiction, pragmatics and future research Appendices Sources
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