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But what was more admirable in Babylon, and eclipsed everything else, was the only daughter of the king, named Formosanta. It was from her pictures and statues, that in succeeding times Praxiteles sculptured his Aphrodita, and the Venus of Medicis. Heavens! what a difference between the original and the copies! King Belus was prouder of his daughter than of his kingdom. She was eighteen years old. It was necessary she should have a husband worthy of her; but where was he to be found? An ancient oracle had ordained, that Formosanta could not belong to any but him who could bend the bow of…mehr

Produktbeschreibung
But what was more admirable in Babylon, and eclipsed everything else, was the only daughter of the king, named Formosanta. It was from her pictures and statues, that in succeeding times Praxiteles sculptured his Aphrodita, and the Venus of Medicis. Heavens! what a difference between the original and the copies! King Belus was prouder of his daughter than of his kingdom. She was eighteen years old. It was necessary she should have a husband worthy of her; but where was he to be found? An ancient oracle had ordained, that Formosanta could not belong to any but him who could bend the bow of nearly-mythic Nimrod. Three kings came to try to bend Nimrod's storied bow -- rulers from Egypt, and India, and Scythia -- but also came a young man not of royal mien, upon a unicorn.
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Autorenporträt
François-Marie Arouet (1694 - 1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.