Deals with music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. This title studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.
Deals with music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. This title studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Douglass M. Green (1926-1999) was a founding member of the Society for Music Theory. He last taught at the University of Texas at Austin, where he was Professor of Music Theory until his death. Widely known as an expert in the music of Debussy and Berg, Green was the author of many articles and books on musical form and harmony, including the seminal analysis text Form in Tonal Music. He won several honors throughout his lifetime, including appointment as a Fulbright Scholar to Italy, the ASCAP-Deems Taylor Award, and the E. W. Doty Professorship of Fine Arts at UT-Austin. Green's counterpoint classes remain legendary among his students. Evan Jones is Associate Professor and Coordinator of Music Theory and Composition at the Florida State University College of Music. He has received a Sproull Fellowship from the University of Rochester, a Doctoral Fellowship from the Social Sciences and Humanities Research Council of Canada, and the Alfred Mann Dissertation Prize from the Eastman School. He has published research on music by Lassus, Quantz, Schubert and Xenakis in peer-reviewed journals and essay collections, and edited a two-volume collection of essays on twentieth-century string quartets that received the Society for Music Theory's Citation of Special Merit.
Inhaltsangabe
1. Species Counterpoint in Major and Minor Modes 2. Eighteenth Century Thoroughbass and Chorale Harmonization 3. The Chorale Prelude 4. Continuo Homophony in Baroque Music 5. Sequences and Invertible Counterpoint 6. The Two Part Inventions of J.S. Bach 7. Three Voice Counterpoint 8. Rounds and Canons 9. Fugue 10. Counterpoint in Nineteenth Century Music 11. Counterpoint in Twentieth Century Music
1. Species Counterpoint in Major and Minor Modes 2. Eighteenth Century Thoroughbass and Chorale Harmonization 3. The Chorale Prelude 4. Continuo Homophony in Baroque Music 5. Sequences and Invertible Counterpoint 6. The Two Part Inventions of J.S. Bach 7. Three Voice Counterpoint 8. Rounds and Canons 9. Fugue 10. Counterpoint in Nineteenth Century Music 11. Counterpoint in Twentieth Century Music
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