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Explores the ways in which nineteenth-century English poets¿Tennyson, Browning, Hopkins¿responded creatively to the difference between written and spoken language and the ambiguities involved in writing down their own voices and the melodies of their speech.

Produktbeschreibung
Explores the ways in which nineteenth-century English poets¿Tennyson, Browning, Hopkins¿responded creatively to the difference between written and spoken language and the ambiguities involved in writing down their own voices and the melodies of their speech.
Autorenporträt
Eric Griffiths is Fellow in English at Trinity College, Cambridge and Lecturer in English at the University of Cambridge. He is the author of If Not Critical edited by Freya Johnston (OUP, 2018) and co-editor of Dante in English (Penguin, 2005).