Andere Kunden interessierten sich auch für
![Conversations with the Dead]( "Conversations with the Dead")
Conversations with the Dead52,99 €![Jason Larkin]( "Jason Larkin")
Jason Larkin39,90 €![Outland]( "Outland")
Outland62,99 €![Jo Ractliffe: The Borderlands]( "Jo Ractliffe: The Borderlands")
Jo Ractliffe: The Borderlands71,99 €
Having left South Africa at the age of four as a political refugee with his parents, photographer Koto Bolofo returned to
his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free
access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority
of the twenty-seven years of his confinement in a cell of barely 6 square metres in Section B. The photographer and his
wife eagerly began documenting the site s abandoned interiors and surroundings, dreading the prison s potential closure.
Meanwhile, it was converted into a well-frequented museum in 1997 and included on the World Heritage List by
UNESCO in 1999.
The black and white photographs of this volume conspicuously favour close-up depictions of details as opposed to
general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock
to Mandela s cell which is so tiny it cannot be taken as a whole all this is conveying the gloomy sense of claustrophobia
and suppression that characterise the place. The camera is constantly searching for the few rays of light that penetrate
the ubiquitous grimness and silence of cruelty.
his home country with his wife in 1992, two years after Nelson Mandela had been released from prison. Bolofo got free
access to the notorious and by now deserted prison of Robben Island, where Mandela had been held for the majority
of the twenty-seven years of his confinement in a cell of barely 6 square metres in Section B. The photographer and his
wife eagerly began documenting the site s abandoned interiors and surroundings, dreading the prison s potential closure.
Meanwhile, it was converted into a well-frequented museum in 1997 and included on the World Heritage List by
UNESCO in 1999.
The black and white photographs of this volume conspicuously favour close-up depictions of details as opposed to
general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock
to Mandela s cell which is so tiny it cannot be taken as a whole all this is conveying the gloomy sense of claustrophobia
and suppression that characterise the place. The camera is constantly searching for the few rays of light that penetrate
the ubiquitous grimness and silence of cruelty.