Invented religions have been described as modern religions which advertise their invented status and reject traditional strategies of authorisation. But what does it mean for a religious formation to be 'made up', and how might this affect perceptions of its legitimacy or authenticity in wider society? Through a series of case studies, this book discusses strategies of mobilization and legitimation for new traditions at their point of emergence, as well as taking issue with simplistic interpretations of the phenomenon which neglect wider cultural and political dimensions. This book was originally published as a special issue of Culture and Religion.…mehr
Invented religions have been described as modern religions which advertise their invented status and reject traditional strategies of authorisation. But what does it mean for a religious formation to be 'made up', and how might this affect perceptions of its legitimacy or authenticity in wider society? Through a series of case studies, this book discusses strategies of mobilization and legitimation for new traditions at their point of emergence, as well as taking issue with simplistic interpretations of the phenomenon which neglect wider cultural and political dimensions. This book was originally published as a special issue of Culture and Religion.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steven J. Sutcliffe is Senior Lecturer in the Study of Religion at the University of Edinburgh, UK. He is the author of Children of the New Age: A History of Spiritual Practices (2003), editor of Religion: Empirical Studies (2004), and co-editor (with Ingvild Gilhus) of New Age Spirituality: Rethinking Religion (2013). Carole M. Cusack is Professor of Religious Studies at the University of Sydney, Australia. She is the author of Invented Religions: Imagination, Fiction, and Faith (2010), The Sacred Tree: Ancient and Medieval Manifestations (2011), and co-editor (with Alex Norman) of New Religions and Cultural Production (2012).
Inhaltsangabe
Introduction: Making it (all?) up - 'invented religions' and the study of 'religion' 1. Play, narrative and the creation of religion: Extending the theoretical base of 'invented religions' 2. Fiction-based religion: Conceptualising a new category against history-based religion and fandom 3. Between Synchromysticism and Paganism: Tracing some metaphysical uses of popular fictions 4. Serious parody: Discordianism as liquid religion 5. 'Rosicrucians at large': Radical versus qualified invention in the cultic milieu 6. The appropriation of a religion: The case of Zoroastrianism in contemporary Russia 7. The problem with the jargon of inauthenticity: Towards a materialist repositioning of the analysis of postmodern religion 8. The category of 'invented religion': A new opportunity for studying discourses on 'religion'
Introduction: Making it (all?) up - 'invented religions' and the study of 'religion' 1. Play, narrative and the creation of religion: Extending the theoretical base of 'invented religions' 2. Fiction-based religion: Conceptualising a new category against history-based religion and fandom 3. Between Synchromysticism and Paganism: Tracing some metaphysical uses of popular fictions 4. Serious parody: Discordianism as liquid religion 5. 'Rosicrucians at large': Radical versus qualified invention in the cultic milieu 6. The appropriation of a religion: The case of Zoroastrianism in contemporary Russia 7. The problem with the jargon of inauthenticity: Towards a materialist repositioning of the analysis of postmodern religion 8. The category of 'invented religion': A new opportunity for studying discourses on 'religion'
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