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The goal is to include all of the knowledge in the field of practicing and dealing with musical works that the author received during his long-lasting occupation with this wonderful instrument. He tries to take into consideration different approaches that were introduced to him by all the menthors that he had a chance to meet and learn from them to this very day. The objective of this publication is to carry out at in-depth review of the process of practicing (with an emphasis on contemporary music) in all of its phases; from the first contact, through analysis, goal-setting, facing problems…mehr

Produktbeschreibung
The goal is to include all of the knowledge in the field of practicing and dealing with musical works that the author received during his long-lasting occupation with this wonderful instrument. He tries to take into consideration different approaches that were introduced to him by all the menthors that he had a chance to meet and learn from them to this very day. The objective of this publication is to carry out at in-depth review of the process of practicing (with an emphasis on contemporary music) in all of its phases; from the first contact, through analysis, goal-setting, facing problems and eliminating mistakes during the process. In the last part of the dissertation the main focus is on saxophone practice and its individualities.
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Autorenporträt
¿iga Ve¿ligaj (1994, Slovenia) received his education at the Music school in Celje (2008 - 2012) and the Anton Bruckner Private University in Linz - KBA of classical saxophone (2012 - 2016) and KMA of classical saxophone (2016 ¿ ).