Guy Healy
The Production of Global Web Series in a Networked Age
41,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
Melden Sie sich
hier
hier
für den Produktalarm an, um über die Verfügbarkeit des Produkts informiert zu werden.
Guy Healy
The Production of Global Web Series in a Networked Age
- Broschiertes Buch
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer folk and those from hardscrabble backgrounds--producing low budget, high cultural impact web-series which have disrupted longstanding white male domination of the film and TV industries.
Andere Kunden interessierten sich auch für
- Andrew LynchQuality Telefantasy123,99 €
- From Networks to Netflix41,99 €
- Transmedia Change123,99 €
- Zenia SelbyBreaking into Factual TV174,99 €
- Kristen J. WarnerThe Cultural Politics of Colorblind TV Casting65,99 €
- Chris Comerford (Australia University of Wollongong)Cinematic Digital Television49,99 €
- Michael Betancourt (Savannah College of Art and USA Design)Glitch Art in Theory and Practice85,99 €
-
-
-
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer folk and those from hardscrabble backgrounds--producing low budget, high cultural impact web-series which have disrupted longstanding white male domination of the film and TV industries.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 262
- Erscheinungstermin: 25. Februar 2022
- Englisch
- Abmessung: 154mm x 233mm x 23mm
- Gewicht: 420g
- ISBN-13: 9781032022352
- ISBN-10: 1032022353
- Artikelnr.: 62573988
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 262
- Erscheinungstermin: 25. Februar 2022
- Englisch
- Abmessung: 154mm x 233mm x 23mm
- Gewicht: 420g
- ISBN-13: 9781032022352
- ISBN-10: 1032022353
- Artikelnr.: 62573988
Dr Guy Healy works as a researcher on an Australian Research Council project investigating the role of the web-series globally. Healy worked for about a decade at The Australian newspaper, mainly as a higher education writer; and for BBC Wildlife magazine as a freelance correspondent investigating species-level threats to wildlife. His most important story reported on calls from zoologists warning that research funding into, and surveillance of bat-borne viruses in Asia, Africa and elsewhere, had to be prioritized, in 2009
Preface by Tina Cesa Ward
Chapter 1 Introduction
Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey
Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures
Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka
Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms'
Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE
Chapter 7: Julie Kalceff...not sitting in a room on her own
Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death
Chapter 9: Bending algorithmic culture to serve post-TV storytelling
Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series
Chapter 11: the Garden in YouTube's Machine
Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19
Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies
Index
Chapter 1 Introduction
Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey
Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures
Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka
Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms'
Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE
Chapter 7: Julie Kalceff...not sitting in a room on her own
Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death
Chapter 9: Bending algorithmic culture to serve post-TV storytelling
Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series
Chapter 11: the Garden in YouTube's Machine
Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19
Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies
Index
Preface by Tina Cesa Ward
Chapter 1 Introduction
Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey
Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures
Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka
Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms'
Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE
Chapter 7: Julie Kalceff...not sitting in a room on her own
Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death
Chapter 9: Bending algorithmic culture to serve post-TV storytelling
Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series
Chapter 11: the Garden in YouTube's Machine
Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19
Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies
Index
Chapter 1 Introduction
Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey
Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures
Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka
Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms'
Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE
Chapter 7: Julie Kalceff...not sitting in a room on her own
Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death
Chapter 9: Bending algorithmic culture to serve post-TV storytelling
Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series
Chapter 11: the Garden in YouTube's Machine
Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19
Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies
Index