The Production of King Oedipus - Guthrie, Tyrone; Moiseiwitsch, Tanya
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The Production of King Oedipus is a masterful behind-the-scenes account of the production of Sophocles' Oedipus Rex at the Festival Theatre Stratford, Ontario, in 1954. Written by the theatre's Artistic Director, Tyrone Guthrie, and the theatre's designer, Tanya Moiseiwitsch, this longform essay offers remarkable insights into their collaborative process, exploring the symbolism of the play, the ritualistic tone of the performance and the technical challenges of acting in masks. As Guthrie explains in the essay: "Above all, the attempt was to raise the tragedy from the triviality of detail and…mehr

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Produktbeschreibung
The Production of King Oedipus is a masterful behind-the-scenes account of the production of Sophocles' Oedipus Rex at the Festival Theatre Stratford, Ontario, in 1954. Written by the theatre's Artistic Director, Tyrone Guthrie, and the theatre's designer, Tanya Moiseiwitsch, this longform essay offers remarkable insights into their collaborative process, exploring the symbolism of the play, the ritualistic tone of the performance and the technical challenges of acting in masks. As Guthrie explains in the essay: "Above all, the attempt was to raise the tragedy from the triviality of detail and particularity, onto the plane where it belongs, of abstracted and remote grandeur." With foreword by Clare Ferraby and interview with Colin George and Tanya Moiseiwitsch.
Autorenporträt
Sir Tyrone Guthrie (1900-71) was a towering figure of international theatre who was highly influential in his lifetime. Describing himself as 'a very Irish sort of Anglo-Scot', Guthrie built his reputation in the 1930s as a versatile director, scoring critical and commercial successes with his productions of Shakespeare, opera and plays by new or unknown playwrights.Guthrie was a pioneer of the thrust stage, a re-imagining of Ancient Greek and Shakespearean theatre, with the actors playing on an open stage with the audience surrounding them on three sides.After successfully experimenting with the thrust stage at the second Edinburgh Festival in 1948, Guthrie collaborated with designer Tanya Moiseiwitsch to create a thrust stage for the inaugural festival in Stratford, Ontario in 1953. He co-wrote this essay with her about their production of Oedipus in the second season.Encouraged by this success, in 1963 Guthrie founded the Guthrie Theater in Minneapolis, which also had a thrust stage designed by Tanya. He served as the theatre's Artistic Director until 1966. Guthrie was also the inspiration for other thrust stage theatres, including the Festival Theatre Chichester, the Octagon Theatre (Perth, Australia) and the Crucible Theatre (Sheffield, UK).Guthrie died in April 1971, only a few months before the Crucible opened.