The Productive Tension of Hawthorne's Art - Johnson, Claudia Durst
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"A solid,... well-written contribution to Hawthorne criticism... The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art.” - Roy R. Male, University of Oklahoma

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"A solid,... well-written contribution to Hawthorne criticism... The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art.” - Roy R. Male, University of Oklahoma
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Autorenporträt
Claudia D. Johnson is a former professor of English at the University of Alabama. Her scholarship focuses on "gothicism" in To Kill a Mockingbird, the role of prostitutes as patrons of the theater in the nineteenth century, and Hawthorne and early American religion. She is the author of nine books as well as the author or editor of eighteen reference and textbooks. She lives in Berkeley, California.