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Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.

Produktbeschreibung
Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.
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Autorenporträt
Tom Stammers is Associate Professor in Modern European Cultural History at the University of Durham. He is a historian of modern France, specialising in visual and material culture; he works frequently with museums and heritage organisations, including collaborating on exhibitions, and is a regular contributor to arts reviews like Apollo.