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Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.

Produktbeschreibung
Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.
Autorenporträt
Tom Stammers is Associate Professor in Modern European Cultural History at the University of Durham. He is a historian of modern France, specialising in visual and material culture; he works frequently with museums and heritage organisations, including collaborating on exhibitions, and is a regular contributor to arts reviews like Apollo.