Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.
Surveying the collecting culture from the French Revolution to the Belle à poque, this study explores how material things became a central means by which the past was accessed and imagined in nineteenth-century Paris, revealing how the Revolution triggered the rise of a new market for antiques and new struggles over the custody of France's heritage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tom Stammers is Associate Professor in Modern European Cultural History at the University of Durham. He is a historian of modern France, specialising in visual and material culture; he works frequently with museums and heritage organisations, including collaborating on exhibitions, and is a regular contributor to arts reviews like Apollo.
Inhaltsangabe
Introduction. Collection, recollection, revolution 1. Amateurs and the art market in transition (c.1780-1830) 2. Archiving and envisioning the French Revolution (c.1780-1830) 3. Book-hunting, bibliophilia and a textual restoration (c.1790-1840) 4. Salvaging the gothic in private and public spaces (c.1820-70) 5. Royalists versus vandals, and the cult of the old regime (c.1860-1880) 6. Allies of the Republic? Inside the sale of the century (c.1870-1895) Conclusion. The resilience and eclipse of curiosité.
Introduction. Collection, recollection, revolution 1. Amateurs and the art market in transition (c.1780-1830) 2. Archiving and envisioning the French Revolution (c.1780-1830) 3. Book-hunting, bibliophilia and a textual restoration (c.1790-1840) 4. Salvaging the gothic in private and public spaces (c.1820-70) 5. Royalists versus vandals, and the cult of the old regime (c.1860-1880) 6. Allies of the Republic? Inside the sale of the century (c.1870-1895) Conclusion. The resilience and eclipse of curiosité.
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