The Purple Cloud by M. P. Shiel, Fiction, Literary, Horror - Shiel, M. P.
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It begins with the end of the world . . . In some way, Jeffson is chosen, for he tells of hearing the voices from an early age. Adam Jeffson ends up as the first man to reach the North Pole -- alone -- where he finds a scene of wonder and terror described in Shiel's evocative prose. Jeffson struggles back to the ship, and along the way, the real horror begins. H.G. Wells lauded The Purple Cloud as "brilliant" and H. P. Lovecraft later praised the novel as exemplary weird fiction, "delivered with a skill and artistry falling little short of actual majesty." It begins with the end of the world.

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Produktbeschreibung
It begins with the end of the world . . . In some way, Jeffson is chosen, for he tells of hearing the voices from an early age. Adam Jeffson ends up as the first man to reach the North Pole -- alone -- where he finds a scene of wonder and terror described in Shiel's evocative prose. Jeffson struggles back to the ship, and along the way, the real horror begins. H.G. Wells lauded The Purple Cloud as "brilliant" and H. P. Lovecraft later praised the novel as exemplary weird fiction, "delivered with a skill and artistry falling little short of actual majesty." It begins with the end of the world.
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Autorenporträt
Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained "Shiell" though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.