The Queer Biopic in the AIDS Era examines the use that New Queer Cinema filmmakers (Derek Jarman, Barbara Hammer, Todd Haynes, etc.) made of the biopic genre during the AIDS era and how this in turn influenced contemporary queer film.
The Queer Biopic in the AIDS Era examines the use that New Queer Cinema filmmakers (Derek Jarman, Barbara Hammer, Todd Haynes, etc.) made of the biopic genre during the AIDS era and how this in turn influenced contemporary queer film.
Laura Stamm is Director of Diversity, Equity, and Inclusion at University of Rochester Medical Center.
Inhaltsangabe
Introduction. Queer Cinema and the Biopic Genre Chapter One. The Desire to See and Be Seen Chapter Two. Proximal Relations in the Cinema of Tom Kalin Chapter Three. Suspended in History: Rethinking Derek Jarman's Legacy Chapter Four. The Personal Is Archival: Barbara Hammer's Creation of Feminist History Chapter Five. Reimagining the Face of HIV/AIDS Conclusion Bibliography Index
Introduction. Queer Cinema and the Biopic Genre Chapter One. The Desire to See and Be Seen Chapter Two. Proximal Relations in the Cinema of Tom Kalin Chapter Three. Suspended in History: Rethinking Derek Jarman's Legacy Chapter Four. The Personal Is Archival: Barbara Hammer's Creation of Feminist History Chapter Five. Reimagining the Face of HIV/AIDS Conclusion Bibliography Index
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