This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen.
This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen.
List of Figures Acknowledgements Introduction 1. Class and Romance in Socialism 2. Space Defining Class: Middle-class Cinemas: Post-Tenebras Lux and Que horas ela volta? 3. Class and the State: State Institutions: Slum Pacification and Prison Riots in Brazil 4. The Return of the People: Wrestling with the State: "Up with Populism!" in Venezuela 5. The Globalization of Class on Screen: Amat Escalante's "Engaged Visuality" 6. Class and Race: Exploring New Class Figurations in Asian-themed Films Produced in Latin America Conclusion References Index About the Author
List of Figures Acknowledgements Introduction 1. Class and Romance in Socialism 2. Space Defining Class: Middle-class Cinemas: Post-Tenebras Lux and Que horas ela volta? 3. Class and the State: State Institutions: Slum Pacification and Prison Riots in Brazil 4. The Return of the People: Wrestling with the State: "Up with Populism!" in Venezuela 5. The Globalization of Class on Screen: Amat Escalante's "Engaged Visuality" 6. Class and Race: Exploring New Class Figurations in Asian-themed Films Produced in Latin America Conclusion References Index About the Author
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