A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
J. P. E. Harper-Scott is Reader in Musicology and Theory at Royal Holloway, University of London. He has published widely on Elgar, Wagner, Britten and symphonic music and opera of the late nineteenth and twentieth centuries and his books include Elgar Studies (edited with Julian Rushton), An Introduction to Music Studies (edited with Jim Samson) and Edward Elgar, Modernist. His work has strong intersections with continental philosophy and psychoanalysis (Heidegger, Badiou, iek and Lacan) and has increasingly come to espouse an explicitly Leftist perspective.
Inhaltsangabe
Preface Part I. A Ruthless Criticism of Everything Existing: 1. Modernism as we know it, ideology, and the quilting point Part II. Relationship Problems: 2. Modernism, love, and truth 3. The love of Troilus and Cressida Part III. The Revolutionary Kernel of Reactionary Music: 4. Communist modernism 5. A new community Afterword: what to do?
Preface Part I. A Ruthless Criticism of Everything Existing: 1. Modernism as we know it, ideology, and the quilting point Part II. Relationship Problems: 2. Modernism, love, and truth 3. The love of Troilus and Cressida Part III. The Revolutionary Kernel of Reactionary Music: 4. Communist modernism 5. A new community Afterword: what to do?
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