The Recruiting Officer - Farquhar, George
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This edition sheds light on Farquhar's work, highlighting its status as an account of army corruption and sexual intrigue, and its relevance to later literature such as Brecht's Trumpets and Drums, Keneally's The Playmaker, and Wertenbaker's Our Country's Good.

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Produktbeschreibung
This edition sheds light on Farquhar's work, highlighting its status as an account of army corruption and sexual intrigue, and its relevance to later literature such as Brecht's Trumpets and Drums, Keneally's The Playmaker, and Wertenbaker's Our Country's Good.
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Autorenporträt
George Farquhar (1678-1707) was an Irish-born playwright of the Restoration period. During his ten-year career, he produced two brilliant comedies, The Recruiting Officer in 1706 and The Beaux' Stratagem the following year. The son of a clergyman, he studied at Trinity College, Dublin, before briefly working as an actor at the Smock Alley Theatre in that city. Following an accident during a stage fight, when he mistakenly used a real sword and wounded a fellow actor so badly that he almost died, Farquhar renounced acting. Encouraged by his fellow actor Robert Wilks, he took up the pen and settled in London. His first play Love and a Bottle was well received at Drury Lane in 1698. The following year, The Constant Couple; or, A Trip to the Jubilee was an even greater hit with Wilks in the lead. After Sir Harry Wildair (1701), a sequel to The Constant Couple, and The Twin-Rivals (1702), he wrote his first great play. The first production of The Recruiting Officer starred Anne Oldfield, with whom Farquhar supposedly had an affair. The following year Farquhar, with "not one shilling" in his pocket, was encouraged by Wilks to produce a hastily written play. The next day Farquhar delivered the plot for The Beaux' Stratagem, which was presented on stage within six weeks. He died from tuberculosis after the third performance.