Here is the sequel to "The Mad Planet" by Murray Leinster. The world, in a far distant future, is peopled with huge insects and titanic fungus growths. Life has been greatly altered, and tiny Man is now in the process of becoming acclimated to the change. We again meet our hero Burl, but this time a far greater danger menaces the human race. The huge insects are still in evidence, but the terror they inspire is as nothing compared to the deadly Red Dust. You will follow this remarkable story with breathless interest.
Here is the sequel to "The Mad Planet" by Murray Leinster. The world, in a far distant future, is peopled with huge insects and titanic fungus growths. Life has been greatly altered, and tiny Man is now in the process of becoming acclimated to the change. We again meet our hero Burl, but this time a far greater danger menaces the human race. The huge insects are still in evidence, but the terror they inspire is as nothing compared to the deadly Red Dust. You will follow this remarkable story with breathless interest.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Murray Leinster (June 16, 1896 - June 8, 1975) was a pen name used by William Fitzgerald Jenkins, an American writer of genre fiction, primarily science fiction. Leinster Jenkins, the son of George B. Jenkins and Mary L. Jenkins, was born in Norfolk, Virginia. His father was a bookkeeper. Despite the fact that both parents were born in Virginia, the family resided in Manhattan in 1910, according to the Federal Census. Despite being a high school dropout, he began working as a freelance writer before World War I. His debut tale, "The Foreigner," appeared in the May 1916 issue of H. L. Mencken's literary magazine The Smart Set, two months before his twentieth birthday. Leinster contributed 10 more tales in the magazine over the next three years; in a September 2022 interview, Leinster's daughter noted that Mencken advocated using a pseudonym for non-Smart Set work. Leinster served in the United States Army and the Committee of Public Information during World War I (1917-1918). His writing began to appear in pulp magazines such as Argosy, Snappy Stories, and Breezy Stories during and after the war. He continued to be published in Argosy into the 1950s.
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