The Red One - London, Jack
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The Red One By Jack London "The Red One" is a short story by Jack London. It was first published in the October 1918 issue of The Cosmopolitan,[1] two years after London's death. The story was reprinted in the same year by MacMillan, in a collection of London's stories of the same name.The story is told from the perspective of a scientist called Bassett, who is on an expedition in the jungle of Guadalcanal to collect butterflies. The "Red One" of the title refers to a giant red sphere, of apparently extraterrestrial origin, that the headhunting natives worship as their god and to which they…mehr

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Produktbeschreibung
The Red One By Jack London "The Red One" is a short story by Jack London. It was first published in the October 1918 issue of The Cosmopolitan,[1] two years after London's death. The story was reprinted in the same year by MacMillan, in a collection of London's stories of the same name.The story is told from the perspective of a scientist called Bassett, who is on an expedition in the jungle of Guadalcanal to collect butterflies. The "Red One" of the title refers to a giant red sphere, of apparently extraterrestrial origin, that the headhunting natives worship as their god and to which they perform human sacrifices. Bassett becomes obsessed with the Red One and in the end is sacrificed himself.The story's theme was suggested to London by his friend George Sterling: a message is sent from an alien civilization but is lost in the wilderness. There are parallels to Joseph Conrad's short novel Heart of Darkness.Critics have noted the possible influence of Carl Jung on the story, as London became aware of Jung's ideas at around the time of writing "The Red One" in 1916. The story makes an enigmatic reference to helmeted figures, perhaps the Red One's alien crew. Here, London may have anticipated the ancient astronauts of science fiction and pseudoscience.The U.S. copyright on "The Red One" has expired, and the story is available on Project Gutenberg.There it was! The abrupt liberation of sound! As he timed it with his watch, Bassett likened it to the trump of an archangel. Walls of cities, he meditated, might well fall down before so vast and compelling a summons. For the thousandth time vainly he tried to analyse the tone-quality of that enormous peal that dominated the land far into the strong-holds of the surrounding tribes. The mountain gorge which was its source rang to the rising tide of it until it brimmed over and flooded earth and sky and air. With the wantonness of a sick man's fancy, he likened it to the mighty cry of some Titan of the Elder World vexed with misery or wrath. Higher and higher it arose, challenging and demanding in such profounds of volume that it seemed intended for ears beyond the narrow confines of the solar system. There was in it, too, the clamour of protest in that there were no ears to hear and comprehend its utterance. -Such the sick man's fancy. Still he strove to analyse the sound.
Autorenporträt
John Griffith "Jack" London (1876 - 1916) was an American novelist, journalist and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North" and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.