A work that presents the registrational practices of organists from 1550 to 1800. Along with the many stoplists and discussions of performance traditions, it discusses the religious and political context for each period and region - and how these affected the work of composers and organ builders.
A work that presents the registrational practices of organists from 1550 to 1800. Along with the many stoplists and discussions of performance traditions, it discusses the religious and political context for each period and region - and how these affected the work of composers and organ builders.
Barbara Owen, an active lecturer, teacher, recitalist, and organ consultant, is Librarian of the Organ Library at Boston University and author of The Organ in New England, E. Power Biggs: Concert Organist, and articles in the New Grove Dictionary of Music and Musicians and many organ journals. She is also co-author (with Peter Williams) of The Organ.
Inhaltsangabe
Introduction Part I. Prologue: Renaissance and Reformation 1. The Music, Compoers, and Organs 2. England, France, Italy, and Spain 3. Netherlands, Germany, and Central Europe Part II. Late Renaissance to Early Baroque 4. England 5. France and Catholic Netherlands 6. Italy 7. Spain and Portugal 8. Northern Netherlands 9. North and Central Germany 10. South Germany, Austria-Hungary, and Switzerland Part III. High Baroque 11. England 12. France and Lower Netherlands 13. Italy 14. Spain, Portugal, and Mesoamerica 15. Northern Germany, Holland, and Scandinavia 16. Central Germany 17. South Germany, Austria, and Eastern Europe Part IV. Summation: Late Baroque to Classical 18. England and Coastal United States 19. France, Alsace, and Lower Netherlands (Belgium) 20. Italy 21. Spain, Portugal, and Latin America 22. Protestant Germany, Holland, and Scandinavia 23. Catholic Germany, Austria, and Eastern Europe Appendix I: Restored Historic Organs in North America Appendix II: Modern Historically Based Organs in North America Bibliography Index
Introduction Part I. Prologue: Renaissance and Reformation 1. The Music, Compoers, and Organs 2. England, France, Italy, and Spain 3. Netherlands, Germany, and Central Europe Part II. Late Renaissance to Early Baroque 4. England 5. France and Catholic Netherlands 6. Italy 7. Spain and Portugal 8. Northern Netherlands 9. North and Central Germany 10. South Germany, Austria-Hungary, and Switzerland Part III. High Baroque 11. England 12. France and Lower Netherlands 13. Italy 14. Spain, Portugal, and Mesoamerica 15. Northern Germany, Holland, and Scandinavia 16. Central Germany 17. South Germany, Austria, and Eastern Europe Part IV. Summation: Late Baroque to Classical 18. England and Coastal United States 19. France, Alsace, and Lower Netherlands (Belgium) 20. Italy 21. Spain, Portugal, and Latin America 22. Protestant Germany, Holland, and Scandinavia 23. Catholic Germany, Austria, and Eastern Europe Appendix I: Restored Historic Organs in North America Appendix II: Modern Historically Based Organs in North America Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
