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A work that presents the registrational practices of organists from 1550 to 1800. Along with the many stoplists and discussions of performance traditions, it discusses the religious and political context for each period and region - and how these affected the work of composers and organ builders.

Produktbeschreibung
A work that presents the registrational practices of organists from 1550 to 1800. Along with the many stoplists and discussions of performance traditions, it discusses the religious and political context for each period and region - and how these affected the work of composers and organ builders.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Barbara Owen, an active lecturer, teacher, recitalist, and organ consultant, is Librarian of the Organ Library at Boston University and author of The Organ in New England, E. Power Biggs: Concert Organist, and articles in the New Grove Dictionary of Music and Musicians and many organ journals. She is also co-author (with Peter Williams) of The Organ.