Kyung Hyun Kim

The Remasculinization of Korean Cinema

• Gebundenes Buch

Produktbeschreibung

Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema.

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Produktdetails

• Verlag: Duke University Press
• Seitenzahl: 344
• Erscheinungstermin: 8. März 2004
• Englisch
• Abmessung: 242mm x 164mm x 27mm
• Gewicht: 671g
• ISBN-13: 9780822332787
• ISBN-10: 0822332787
• Artikelnr.: 21587203

Autorenporträt

Kyung Hyun Kim is Associate Professor of East Asian Languages and Literatures at the University of California, Irvine.

Inhaltsangabe

Acknowledgments ix
Introduction: Hunting for the Whale 1
1: GENRES OF POST-TRAUMA
> At the Edge of Metropolis in A Fine, Windy Day and Green Fish 31
2 Nowhere to Run: Disenfranchised Men on the Road in The Man with Three
Coffins, Sopyonje, and Out to the World 52
3 “Is This How the War Is Remembered?”: Violent Sex and the Korean War in
Silver Stallion, Spring in My Hometown, and The Taebaek Mountains 77
4 Post-Trauma and Historical Remembrance in A Single Spark and A Petal 107
2: NEW KOREAN CINEMA AUTEURS
5 Male Crisis in the Early Films of Park Kwang-su 136
6 Jang Sun-woo’s Three “F” Words: Familism, Fetishism, and Fascism 162
7 Too Early/Too Late: Temporality and Repetition in Hong Sang-su’s Films
203
3: FIN-DE-SIECLE ANXIETIES
> 8 Lethal Work: Domestic Space and Gender Troubles in Happy End and The
Housemaid 233
9 “Each Man Kills the Thing He Loves”: Transgressive Agents, National
Security, and Blockbuster Aesthetics in Shiri and Joint Security Area 259
Notes 277
Select Filmography of Major Directors of the New Korean Cinema 313
Index 321