Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sally Minogue is a retired academic who is still writing. She has taught in both further and higher education. On retirement she was Principal Lecturer in English Literature at Canterbury Christ Church University. Her research interests have been eclectic, stretching from Philip Sidney's poetry to Alan Sillitoe's fiction. A common theme has been an interest in the demotic, as reflected both in colloquial language, and in the representation of working class life, in literature. This has informed her work with Andrew Palmer on First World War poetry.
Inhaltsangabe
1. 'But you are dead!': early struggles over representation 2. 'The world's worst wound': death, consciousness and modernism 3. 'Fierce imaginings': the radical myth-making of David Jones and Isaac Rosenberg 4. Memorial poems and the poetics of memorialising 5. 'Disquieting matter': the unburied corpse in war poetry 6. 'Horrors here smile': the poem, the photograph and the punctum 7. Dulce et Decorum Est.
1. 'But you are dead!': early struggles over representation 2. 'The world's worst wound': death, consciousness and modernism 3. 'Fierce imaginings': the radical myth-making of David Jones and Isaac Rosenberg 4. Memorial poems and the poetics of memorialising 5. 'Disquieting matter': the unburied corpse in war poetry 6. 'Horrors here smile': the poem, the photograph and the punctum 7. Dulce et Decorum Est.
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