The fourteen articles in this volume bring together some of the latest research on the cultural, intellectual and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire.
The fourteen articles in this volume bring together some of the latest research on the cultural, intellectual and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anna Contadini is Professor of the History of Islamic Art, Department of the History of Art and Archaeology, SOAS, University of London, UK. Claire Norton is Senior Lecturer in Islamic History at St Mary's University College, Twickenham, UK.
Inhaltsangabe
Contents: Foreword; Section I Commercial, Artistic and Cultural Contexts: Blurring the boundaries: intellectual and cultural interactions between the Eastern and Western: Christian and Muslim worlds, Claire Norton; Sharing a taste? Material culture and intellectual curiosity around the Mediterranean from the 11th to the 16th century, Anna Contadini; The Lepanto paradigm revisited: knowing the Ottomans in the 16th century, Palmira Brummett. Section II Texts, Art and Music as Media for the Transmission of Intercultural Influences: The role of the book in the transfer of culture between Venice and the Eastern Mediterranean, Deborah Howard; The 'reception of the Venetian ambassadors in Damascus': dating, meaning and attribution, Caroline Campbell; Giacomo Gastaldi's maps of Anatolia: the evolution of a shared Venetian-Ottoman cultural space?, Sonja Brentjes; Turning a deaf ear, Owen Wright. Section III Renaissance Thought: Old and new demarcation lines between Christian Europe and the Islamic Ottoman Empire: from Pope Pius II (1458-1464) to Pope Benedict XVI (2005-13), Zweder von Martels; Turco-Graecia: German humanists and the end of Greek antiquity - cultural exchange and misunderstanding, Asaph Ben Tov; Positive views of Islam and of Ottoman rule in the 16th century: the case of Jean Bodin, Noel Malcolm. Section IV The Renaissance and the Ottoman Empire: Binding relationships: Mamluk, Ottoman and Renaissance bookbindings, Alison Ohta; Ottoman textiles in European markets, Suraiya Faroqhi; Mehmed II as a patron of Greek philosophy: Latin and Byzantine perspectives, Anna Akasoy; Bibliography; Index.
Contents: Foreword; Section I Commercial, Artistic and Cultural Contexts: Blurring the boundaries: intellectual and cultural interactions between the Eastern and Western: Christian and Muslim worlds, Claire Norton; Sharing a taste? Material culture and intellectual curiosity around the Mediterranean from the 11th to the 16th century, Anna Contadini; The Lepanto paradigm revisited: knowing the Ottomans in the 16th century, Palmira Brummett. Section II Texts, Art and Music as Media for the Transmission of Intercultural Influences: The role of the book in the transfer of culture between Venice and the Eastern Mediterranean, Deborah Howard; The 'reception of the Venetian ambassadors in Damascus': dating, meaning and attribution, Caroline Campbell; Giacomo Gastaldi's maps of Anatolia: the evolution of a shared Venetian-Ottoman cultural space?, Sonja Brentjes; Turning a deaf ear, Owen Wright. Section III Renaissance Thought: Old and new demarcation lines between Christian Europe and the Islamic Ottoman Empire: from Pope Pius II (1458-1464) to Pope Benedict XVI (2005-13), Zweder von Martels; Turco-Graecia: German humanists and the end of Greek antiquity - cultural exchange and misunderstanding, Asaph Ben Tov; Positive views of Islam and of Ottoman rule in the 16th century: the case of Jean Bodin, Noel Malcolm. Section IV The Renaissance and the Ottoman Empire: Binding relationships: Mamluk, Ottoman and Renaissance bookbindings, Alison Ohta; Ottoman textiles in European markets, Suraiya Faroqhi; Mehmed II as a patron of Greek philosophy: Latin and Byzantine perspectives, Anna Akasoy; Bibliography; Index.
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