Kate Clark (Teacher of Historical Flutes and Teacher of H Lecturer, Amanda Markwick (Teacher, Teacher, Fanny Hensel Musikschule)
The Renaissance Flute
A Contemporary Guide
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Kate Clark (Teacher of Historical Flutes and Teacher of H Lecturer, Amanda Markwick (Teacher, Teacher, Fanny Hensel Musikschule)
The Renaissance Flute
A Contemporary Guide
- Broschiertes Buch
The Renaissance Flute: A Contemporary Guide is an accessible introduction to the world and practice of the renaissance flute for professionals and beginners alike.
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The Renaissance Flute: A Contemporary Guide is an accessible introduction to the world and practice of the renaissance flute for professionals and beginners alike.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press Inc
- Seitenzahl: 272
- Erscheinungstermin: 17. September 2020
- Englisch
- Abmessung: 274mm x 219mm x 20mm
- Gewicht: 760g
- ISBN-13: 9780190913328
- ISBN-10: 0190913320
- Artikelnr.: 58462582
- Verlag: Oxford University Press Inc
- Seitenzahl: 272
- Erscheinungstermin: 17. September 2020
- Englisch
- Abmessung: 274mm x 219mm x 20mm
- Gewicht: 760g
- ISBN-13: 9780190913328
- ISBN-10: 0190913320
- Artikelnr.: 58462582
Kate Clark's distinguished solo, chamber and orchestral career has encompassed flutes from the 16th to the 19th centuries. She is the winner of several prizes and performs with many of Europe's most acclaimed Early Music ensembles. She is also co-founder of the Attaignant Consort and the Osmosis ensemble. Clark teaches historical flutes at the Royal Conservatorium in Den Haag (1996 -) and is regularly invited as a guest teacher/lecturer all over Europe and abroad. Amanda Markwick plays historical flutes from the Renaissance through the early Romantic eras. She received Bachelors and Masters degrees from both Indiana University Bloomington (USA) and the Koninklijk Conservatorium in The Hague (NL), studying with Barbara Kallaur, Kate Clark, Wilbert Hazelzet, and Barthold Kuijken. Amanda performs regularly throughout Europe in various chamber and orchestral ensembles. She lives and teaches in Berlin, Germany.
Foreword
Preface
1. Introduction
2. Instruments: Materials, Pitch, Makers, and Maintenance
3. Playing the Flute: Sound, Fingerings, and Articulation
4. Playing Together: Sound, Tuning, and Temperament in Consort Playing
5. Exercises
6. Introduction to the Music
7. Music Suitable for One Flute
8. Music Suitable for Two Flutes
9. Music Suitable for Three Flutes
10. Music Suitable for Four Flutes
11. The Renaissance Modes
12. The Hexachord
13. Musica Vera and Musica Ficta
14. Cadences in Renaissance Music
15. Renaissance Ornamentation: Diminutions and Graces
16. Notation and Transcription
17. The Haka Flute
Preface
1. Introduction
2. Instruments: Materials, Pitch, Makers, and Maintenance
3. Playing the Flute: Sound, Fingerings, and Articulation
4. Playing Together: Sound, Tuning, and Temperament in Consort Playing
5. Exercises
6. Introduction to the Music
7. Music Suitable for One Flute
8. Music Suitable for Two Flutes
9. Music Suitable for Three Flutes
10. Music Suitable for Four Flutes
11. The Renaissance Modes
12. The Hexachord
13. Musica Vera and Musica Ficta
14. Cadences in Renaissance Music
15. Renaissance Ornamentation: Diminutions and Graces
16. Notation and Transcription
17. The Haka Flute
Foreword
Preface
1. Introduction
2. Instruments: Materials, Pitch, Makers, and Maintenance
3. Playing the Flute: Sound, Fingerings, and Articulation
4. Playing Together: Sound, Tuning, and Temperament in Consort Playing
5. Exercises
6. Introduction to the Music
7. Music Suitable for One Flute
8. Music Suitable for Two Flutes
9. Music Suitable for Three Flutes
10. Music Suitable for Four Flutes
11. The Renaissance Modes
12. The Hexachord
13. Musica Vera and Musica Ficta
14. Cadences in Renaissance Music
15. Renaissance Ornamentation: Diminutions and Graces
16. Notation and Transcription
17. The Haka Flute
Preface
1. Introduction
2. Instruments: Materials, Pitch, Makers, and Maintenance
3. Playing the Flute: Sound, Fingerings, and Articulation
4. Playing Together: Sound, Tuning, and Temperament in Consort Playing
5. Exercises
6. Introduction to the Music
7. Music Suitable for One Flute
8. Music Suitable for Two Flutes
9. Music Suitable for Three Flutes
10. Music Suitable for Four Flutes
11. The Renaissance Modes
12. The Hexachord
13. Musica Vera and Musica Ficta
14. Cadences in Renaissance Music
15. Renaissance Ornamentation: Diminutions and Graces
16. Notation and Transcription
17. The Haka Flute