This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries.
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard Meek is Lecturer in English at the University of Hull Erin Sullivan is Lecturer and Fellow in the Shakespeare Institute, University of Birmingham
Inhaltsangabe
Introduction - Richard Meek and Erin Sullivan Part I: The theology and philosophy of emotion 1: The passions of Thomas Wright: Renaissance emotion across body and soul - Erin Sullivan 2: 'The scripture moveth us in sundry places': framing biblical emotions in the Book of Common Prayer and the Homilies - David Bagchi 3: 'This was a way to thrive': Christian and Jewish eudaimonism in The Merchant of Venice - Sara Coodin 4: Robert Burton, perfect happiness and the visio dei - Mary Ann Lund Part II: Shakespeare and the language of emotion 5: Spleen in Shakespeare's comedies - Nigel Wood 6: 'Rue even for ruth': Richard II and the imitation of sympathy - Richard Meek 7: What's happiness in Hamlet? - Richard Chamberlain Part III: The performance of emotion 8: 'They that tread in a maze': movement as emotion in John Lyly - Andy Kesson 9: (S)wept from power: two versions of tyrannicide in Richard III - Ann Kaegi 10: The affective scripts of early modern execution and murder - Frederika Bain 11: Discrepant emotional awareness in Shakespeare - R. S. White and Ciara Rawnsley Afterword - Peter Holbrook Index
Introduction - Richard Meek and Erin Sullivan Part I: The theology and philosophy of emotion 1: The passions of Thomas Wright: Renaissance emotion across body and soul - Erin Sullivan 2: 'The scripture moveth us in sundry places': framing biblical emotions in the Book of Common Prayer and the Homilies - David Bagchi 3: 'This was a way to thrive': Christian and Jewish eudaimonism in The Merchant of Venice - Sara Coodin 4: Robert Burton, perfect happiness and the visio dei - Mary Ann Lund Part II: Shakespeare and the language of emotion 5: Spleen in Shakespeare's comedies - Nigel Wood 6: 'Rue even for ruth': Richard II and the imitation of sympathy - Richard Meek 7: What's happiness in Hamlet? - Richard Chamberlain Part III: The performance of emotion 8: 'They that tread in a maze': movement as emotion in John Lyly - Andy Kesson 9: (S)wept from power: two versions of tyrannicide in Richard III - Ann Kaegi 10: The affective scripts of early modern execution and murder - Frederika Bain 11: Discrepant emotional awareness in Shakespeare - R. S. White and Ciara Rawnsley Afterword - Peter Holbrook Index
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