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In the first book-length study of the English saint play across the Reformation divide, this book recovers the surprisingly long theatrical life of the saints. It shows how saints in performance frequently diverged from religious narratives in the Middle Ages and also made a spectacular reappearance in the theatre of Shakespeare's time.

Produktbeschreibung
In the first book-length study of the English saint play across the Reformation divide, this book recovers the surprisingly long theatrical life of the saints. It shows how saints in performance frequently diverged from religious narratives in the Middle Ages and also made a spectacular reappearance in the theatre of Shakespeare's time.
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Autorenporträt
Gina M. Di Salvo is Associate Professor of Theatre History and Dramaturgy in the Department of Theatre at the University of Tennessee. Her primary research interests include medieval and early modern performance cultures, religion, gender, and crime. She has authored essays on pageantry, comets, and The Taming of the Shrew. Her article on Elizabeth I and hagiography received the 2019 Natalie Zemon Davis Prize from Renaissance and Reformation/Renaissance et Réforme.