Andere Kunden interessierten sich auch für
![The German Tradition of Psychology in Literature and Thought, 1700-1840]( "The German Tradition of Psychology in Literature and Thought, 1700-1840")
The German Tradition of Psychology in Literature and Thought, 1700-1840124,99 €![Soldat und Kriegserlebnis]( "Soldat und Kriegserlebnis")
Soldat und Kriegserlebnis114,95 €![Trauma and Guilt]( "Trauma and Guilt")
Trauma and Guilt119,95 €![]()
"Ich bin Jugoslawe - ich zerfalle also"34,95 €![Dulce bellum inexpertis]( "Dulce bellum inexpertis")
Dulce bellum inexpertis49,00 €![The German Bildungsroman]( "The German Bildungsroman")
The German Bildungsroman45,99 €![The German Bildungsroman]( "The German Bildungsroman")
The German Bildungsroman114,99 €
Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book presents readings of major German writers from Schiller and Kleist to Grass and Jelinek in order to come to a deeper understanding of the challenges that confront writers of war.
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and concepts of agency and victimization can all undermine a text's martial stance or its ostensible pacifist agenda. Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book investigates the aesthetic, theoretical, and historical challenges that confront writers of war.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and concepts of agency and victimization can all undermine a text's martial stance or its ostensible pacifist agenda. Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book investigates the aesthetic, theoretical, and historical challenges that confront writers of war.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.