A significant addition to the scholarship available in English on Victoria and his music, this study encompasses the genesis, style, and impact of the six-voice Requiem. It will be of interest to students and scholars studying the Renaissance and sacred and courtly rituals in the early-modern period more generally, as well as enquiring listeners.
A significant addition to the scholarship available in English on Victoria and his music, this study encompasses the genesis, style, and impact of the six-voice Requiem. It will be of interest to students and scholars studying the Renaissance and sacred and courtly rituals in the early-modern period more generally, as well as enquiring listeners.
Owen Rees is Professor of Music at the University of Oxford, and Fellow in Music at The Queen's College, University of Oxford. He specialises in Spanish and Portuguese sacred music of the 'golden age' and has published on the principal composers of the period - Morales, Guerrero, and Victoria - and on numerous other repertories, genres, and sources from the Iberian Peninsula.
Inhaltsangabe
Introduction: 'Requiem for an age'? 1. Chaplain of the Empress 2. María's exequies in context 3. Publishing the Officium Defunctorum 4. Fashioning the Requiem 5. 'The crowning work of a great genius' Epilogue: Requiem for our age?
Introduction: 'Requiem for an age'? 1. Chaplain of the Empress 2. María's exequies in context 3. Publishing the Officium Defunctorum 4. Fashioning the Requiem 5. 'The crowning work of a great genius' Epilogue: Requiem for our age?
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