The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings
Hurt, Redemption, and American Recordings
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The Resurrection of Johnny Cash" tells the story of perhaps the most remarkable turnaround in musical history. As well as acknowledging Cash's drug, drink and religious travails in the fifties and sixties, the book digs much deeper, focusing on a lesser known but no less remarkable period of his life: the inglorious fall post-1970 and the almost biblical rebirth in his later years. Homing in on the ten-year period between 1986 and 1995, "The Resurrection of Jonny Cash" tells in detail the story of Cash's humiliating fall from grace and his unprecedented revival; his struggle with a cruel varie...
The Resurrection of Johnny Cash" tells the story of perhaps the most remarkable turnaround in musical history. As well as acknowledging Cash's drug, drink and religious travails in the fifties and sixties, the book digs much deeper, focusing on a lesser known but no less remarkable period of his life: the inglorious fall post-1970 and the almost biblical rebirth in his later years. Homing in on the ten-year period between 1986 and 1995, "The Resurrection of Jonny Cash" tells in detail the story of Cash's humiliating fall from grace and his unprecedented revival; his struggle with a cruel variety of illnesses; his ongoing battles with addiction; his search to find direction in his career; his eventual rebirth as both an artist and a man; and his hugely influential legacy. Graeme Thomson has written on popular culture for The Guardian, The Observer, Uncut, Mojo, Esquire, The Word, Time Out, the New Statesman and the Herald, and speaks frequently on radio, including BBC Radio Four'sflagship arts show Front Row. Thomson is the author of three acclaimed biographies of elusive, often difficult musicians: Complicated Shadows (Canongate, 2004), a study of Elvis Costello; The Outlaw (Virgin, 2006), an intimate portrait of Willie Nelson; and most recently Under The Ivy (Omnibus, 2010), an in-depth biography of Kate Bush. His third book, I Shot A Man In Reno (Continuum 2008), was a subjective history of the many different, often unsatisfactory ways popular music has dealt with the issue of mortality.
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