The Return of the Native - Hardy, Thomas
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The Return of the Native is Thomas Hardy's sixth published novel. It first appeared in the magazine Belgravia, a publication known for its sensationalism, and was presented in twelve monthly installments from January to December 1878. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. In the twentieth century, The Return of the Native became one of Hardy's most popular and highly regarded novels. With its deeply flawed heroine and its (for the time) open acknowledgement of illicit sexual…mehr

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Produktbeschreibung
The Return of the Native is Thomas Hardy's sixth published novel. It first appeared in the magazine Belgravia, a publication known for its sensationalism, and was presented in twelve monthly installments from January to December 1878. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. In the twentieth century, The Return of the Native became one of Hardy's most popular and highly regarded novels. With its deeply flawed heroine and its (for the time) open acknowledgement of illicit sexual relationships, The Return of the Native raised some eyebrows when it first appeared as a serial in Victorian Britain. Although he intended to structure the novel into five books, thus mirroring the classical tragic format, Hardy submitted to the tastes of the serial-reading public sufficiently to tack on a happy ending for Diggory Venn and Thomasin in a sixth book, Aftercourses. In Hardy's original conception, Venn retains his weird reddleman's character, while Thomasin lives out her days as a widow. Hardy's choice of themes-sexual politics, thwarted desire, and the conflicting demands of nature and society-makes this a truly modern novel. Underlying these modern themes, however, is a classical sense of tragedy: Hardy scrupulously observes the three unities of time, place, and action and suggests that the struggles of those trying to escape their destinies will only hasten their destruction. To emphasise this main part he uses as setting an ancient heath steeped in pre-Christian history and supplies a Chorus consisting of Grandfer Cantle, Timothy Fairway, and the rest of the heathfolk. Eustacia, who manipulates fate in hopes of leaving Egdon Heath for a larger existence in Paris, instead becomes an eternal resident when she drowns in Shadwater Weir; Wildeve shares not only Eustacia's dream of escape, but also her fate; and Clym, the would-be educational reformer, survives the Weir but lives on as a lonely, remorseful man. Some critics-notably D. H. Lawrence-see the novel as a study of the way communities control their misfits. In Egdon Heath, most people (particularly the women) look askance at the proud, unconventional Eustacia. Mrs. Yeobright considers her too odd and unreliable to be a suitable bride for her son, and Susan Nunsuch, who frankly believes her to be a witch, tries to protect her children from Eustacia's supposedly baleful influence by stabbing her with a stocking pin and later burning her in effigy. Clym at first laughs at such superstitions, but later embraces the majority opinion when he rejects his wife as a murderer and adulteress. In this view, Eustacia dies because she has internalised the community's values to the extent that, unable to escape Egdon without confirming her status as a fallen woman, she chooses suicide. She thereby ends her sorrows while at the same time-by drowning in the weir like any woman instead of floating, witchlike-she proves her essential innocence to the community. (wikipedia.org)
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Autorenporträt
Prominent English novelist and poet Thomas Hardy (1840-1928) is renowned for having had a significant influence on Victorian and early 20th-century literature. Hardy, who was born in Dorset, England, on June 2, 1840, came from a working-class family to become one of the greatest writers of his day. Hardy explored themes like love, fate, and the conflict between old and modern values in his works, which frequently portrayed the harsh reality of rural life. "The Mayor of Casterbridge" (1886), "The Return of the Native" (1878), "Far from the Madding Crowd" (1874), and "Tess of the d'Urbervilles" (1891) are a few notable works. His writing was distinguished by a close relationship to nature and a sharp understanding of human nature. Hardy was a talented poet in addition to his novelist, as evidenced by collections like "Wessex Poems" (1898) and "Poems of the Past and Present" (1902). Hardy's writings were increasingly more well-known throughout the 20th century for their realistic and profound psychological depth. Thomas Hardy's literary talents have ensured his enduring legacy as a master poet and storyteller, notwithstanding some debate around the seeming pessimism in his latter novels.