The Revolutionary Rhetoric of Hamilton explores how the musical confronts conventional conceptions of American history, racial equity, and political power. Scholars of theatre studies, media studies, and communication studies will find this book particularly useful.
The Revolutionary Rhetoric of Hamilton explores how the musical confronts conventional conceptions of American history, racial equity, and political power. Scholars of theatre studies, media studies, and communication studies will find this book particularly useful.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Luke Winslow; Nancy J. Legge and Jacob Justice - Contributions by Max Dosser; Jessica L. Gehrke; Caleb George Hubbard; Jacob Justice; Nancy J. Legge; Ryan Louis; Ailea G. Merriam-Pigg; Kevin Pabst; Judith P. Roberts; Sarah Mayberry Scott; Theodo
Inhaltsangabe
Contents Acknowledgments Introduction: Turning the World Upside Down Nancy J. Legge, Jacob Justice, and Luke Winslow Section I: Revelations About History 1. "If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry Talya Peri Slaw and Jacob Justice 2. Washington Says Good-bye: Examining 'One Last Time' through Public Memory Jessica L. Gehrke 3. The Rhetorical Significance of John Laurens in Hamilton: An American Musical Nancy J. Legge 4. Da Da Dada Da: The Discourse of the Mad Monarch Sarah Mayberry Scott Section II: Revelations About Race 5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White Casting Call Ailea G. Merriam-Pigg 6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style Luke Winslow and Jonathan Veal 7Hamilton, Social Revolution, and the Black Lives Matter Movement Caleb George Hubbard Section III: Revelations About Socio-Political Issues 8Immigrants: Getting the Job Done Then and Now Judith P. Roberts 9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private Sphere as Gendered, Restraining, and Revolutionary Erika M. Thomas Section IV: Revelations About Broadway 10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the Impact of Musical Genre on Storytelling Max Dosser and Kevin Pabst 11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy Ryan Louis 12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition Theodore F. Sheckels Index About the Authors
Contents Acknowledgments Introduction: Turning the World Upside Down Nancy J. Legge, Jacob Justice, and Luke Winslow Section I: Revelations About History 1. "If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry Talya Peri Slaw and Jacob Justice 2. Washington Says Good-bye: Examining 'One Last Time' through Public Memory Jessica L. Gehrke 3. The Rhetorical Significance of John Laurens in Hamilton: An American Musical Nancy J. Legge 4. Da Da Dada Da: The Discourse of the Mad Monarch Sarah Mayberry Scott Section II: Revelations About Race 5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White Casting Call Ailea G. Merriam-Pigg 6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style Luke Winslow and Jonathan Veal 7Hamilton, Social Revolution, and the Black Lives Matter Movement Caleb George Hubbard Section III: Revelations About Socio-Political Issues 8Immigrants: Getting the Job Done Then and Now Judith P. Roberts 9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private Sphere as Gendered, Restraining, and Revolutionary Erika M. Thomas Section IV: Revelations About Broadway 10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the Impact of Musical Genre on Storytelling Max Dosser and Kevin Pabst 11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy Ryan Louis 12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition Theodore F. Sheckels Index About the Authors
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